b. 1969
b. 1969
Pioneering Pakistani American, Shahzia Sikander, is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting pre-modern and classical Central and South-Asian miniature painting traditions and launching the form known today as neo-miniature. By bringing traditional and historical practice into dialogue with contemporary international art practices, Sikander’s multivalent and investigative work examines colonial archives to readdress orientalist narratives in western art history. Interrogating ideas of language, trade, empire, and migration through imperial and feminist perspectives Sikander’s paintings, video animations, mosaics and sculptures explore gender roles and sexuality, cultural identity, racial narratives, and colonial and postcolonial histories.
Sikander earned a B.F.A. in 1991 from the National College of Arts in Lahore, Pakistan. Her seminal thesis work, The Scroll (1989–1990), which initiated the start of the neo-miniature movement, garnered awards, exhibitions and press, and led to increased enrollment in the NCA’s miniature painting department. Subsequently, Sikander was appointed lecturer in miniature painting at the school. The artist moved to the United States to pursue an M.F.A. at the Rhode Island School of Design from 1993 to 1995; from 1995 to 1997, she participated in the Glassell School of Art’s CORE Program at The Museum of Fine Arts, Houston. A recipient of a MacArthur Fellowship (2006) and the State Department Medal of Arts (2012), Sikander’s innovative work has been exhibited and collected internationally.
Shahzia Sikander’s work was the subject of a traveling exhibition titled Shahzia Sikander: Extraordinary Realities. The exhibition opened at The Morgan Library, New York in June 2021 and traveled to the RISD Museum, Rhode Island in November 2021, and MFA Houston, Texas in March 2022. To commemorate these exhibitions, a major monograph was printed. Extraordinary Realities, is an exhaustive examination of Sikander’s work from 1987 to 2003, charting her early development as an artist in Lahore and the United States, and foregrounding her critical role in bringing miniature painting into dialogue with contemporary art. Edited by Jan Howard and Sadia Abbas, with contributions by Gayatri Gopinath, Faisal Devji, Kishwar Rizvi, Sadia Abbas, Jan Howard, Vasif Kortun, Dennis Congdon, Bashir Ahmed, Rick Lowe, and Julie Mehretu.
In April 2024, Collective Behavior, Shahzia Sikander's major survey opened at the Palazzo Soranzo Van Axel in Venice during the Biennale Arte 2024. A Collateral Event of the 60th International Art Exhibition – La Biennale di Venezia, Shahzia Sikander: Collective Behavior is the most comprehensive presentation of the artist’s work to date, together an exemplary selection of artwork from across the artist’s career, illustrating her distinctive iconography and continuous reinvention through the adoption of new mediums. Co-organized by the Cincinnati Art Museum and the Cleveland Museum of Art, Collective Behavior is on view in Venice from April 20 - October 20, 2024.
Sikander currently lives and works in New York.
Shahzia Sikander
Witness, 2023
painted aluminum, steel, fiberglass, glass tile
216 x 156 x 156 inches (548.6 x 396.2 x 396.2 cm)
edition of 3 with 2 APs (#1/3)
(ShS-S.23.126.1)
Shahzia Sikander
NOW, 2023
patinated bronze
97 1/2 x 49 x 49 inches (247.7 x 124.5 x 124.5 cm)
edition of 7 with 2 APs (#3/7)
(ShS-S.23.122.3)
Shahzia Sikander
Reckoning, 2020
HD video animation with sound; Music by Du Yun featuring Zeb Bangash; Animation by Patrick O'Rourke
duration: 4 min 16 sec
edition of 7 with 2 APs (#3/7)
(ShS-V.20.056.3)
Words create Worlds, Series, 1, 2019
ink and gouache on paper
paper: 86 7/16 x 60 3/16 inches (219.6 x 152.9 cm)
framed: 91 11/16 x 65 7/16 x 2 1/8 inches (232.9 x 166.2 x 5.4 cm)
signed and dated by the artist, verso
ShS-WP.19.042
The Perennial Gaze, 2018
glass mosaic mounted on plywood in brass frame
70 1/4 x 43 1/4 inches (178.4 x 109.9 cm)
the work is accompanied by a signed certificate of authenticity
ShS-S.18.041
Double Sight, 2018
glass mosaic with patinated brass frame
approx. mosaic: 62 5/8 x 43 11/16 inches (159.1 x 111 cm)
approx. framed: 63 1/8 x 44 3/16 inches (160.3 x 112.2 cm)
the work is accompanied by a signed certificate of authenticity
ShS-S.18.039
Zarina, 2018
glass mosaic with patinated brass frame
approx. mosaic: 62 5/8 x 43 11/16 inches (159.1 x 111 cm)
approx. framed: 63 1/8 x 44 3/16 inches (160.3 x 112.2 cm)
the work is accompanied by a signed certificate of authenticity
ShS-S.18.040
Singing Suns, 2016
HD video animation with sound; Music by Du Yun; Animation by Patrick O'Rourke
duration: 3 minutes 24 seconds
ShS-V.16.002
Still from Disruption as Rapture, 2016
HD video animation with 7.1 surround sound; 10 minutes, 7 seconds
Music by Du Yun featuring Ali Sethi
Animation by Patrick O’Rourke
Commissioned by the Philadelphia Museum of Art
Still from Disruption as Rapture, 2016
HD video animation with 7.1 surround sound; 10 minutes, 7 seconds
Music by Du Yun featuring Ali Sethi
Animation by Patrick O’Rourke
Commissioned by the Philadelphia Museum of Art
Installation view of Ecstasy as Sublime, Heart as Vector, 2016
detail, glass, stone, and marble mosaic, 66 feet tall
Permanent Campus Commission
Julis Romo Rabinowitz Building and Louis A. Simpson International Building
Princeton University, New Jersey
Photography: Ricardo Barros, courtesy: Princeton University
Installation view of Esctasy as Sublime, Heart as Vector, 2016
detail, glass, stone, and marble mosaic, 66 feet tall
Permanent Campus Commission
Julis Romo Rabinowitz Building and Louis A. Simpson International Building
Princeton University, New Jersey
Photography: Ricardo Barros, courtesy: Princeton University
Installation view of Esctasy as Sublime, Heart as Vector, 2016
detail, glass, stone, and marble mosaic, 66 feet tall
Permanent Campus Commission
Julis Romo Rabinowitz Building and Louis A. Simpson International Building
Princeton University, New Jersey
Photography: Ricardo Barros, courtesy: Princeton University
Night Flight, 2015-16
gouache, ink, and gold leaf on paper
paper: 94 1/2 x 60 1/4 inches (240 x 153 cm)
framed: 103 9/16 x 64 1/2 x 2 1/8 inches (263 x 163.8 x 5.4 cm)
Gopi-Contagion, October 2015
HD video animation on digital LED billboards
Installation as part of Midnight Moment: Times Square Arts
Times Square, New York
Photography: Ka-Man Tse
The World is Yours, the World is Mine, 2014
gouache and ink on hand-prepared paper
23 11/16 x 20 9/16 inches (60.2 x 52.3 cm)
Parallax, 2013
3 channel HD video animation with 5.1 surround sound; 15 minutes, 10 seconds
Music by Du Yun
Installation view, Shahzia Sikander: Ecstasy as Sublime, Heart As Vector, Fondazione MAXXI, Rome, Italy
June 22, 2016 - January 15, 2017
Courtesy: Fondazione MAXXI
Parallax, 2013
3 channel HD video animation with 5.1 surround sound; 15 minutes, 10 seconds
Music by Du Yun
Installation view, Guggenheim Museum, Bilbao, 2015
Unseen, 2011-2012
HD digital projection
dimensions variable
Installation view, Doris Duke Foundation for Islamic Art, Shangri La, Honolulu, Hawaii
The Last Post, 2010
Single channel HD video animation with 5.1 surround sound, 10 minutes
Music by Du Yun
Installation view, Rockbund Museum Shanghai, 2010
Still from SpiNN, 2003
Digital animation, 6 minutes, 38 seonds
Music by David Abir
Collection MAXXI Arte
Perilous Order, 1997
transparent and opaque watercolor, tea and charcoal on marbled board
sheet: 10 3/8 x 8 3/16" (26.4 x 20.8 cm)
Whitney Museum of American Art, New York; Purchase, with funds from the Drawing Committee
Ready to Leave, 1997
transparent and opaque watercolor, tea water, and graphite on marbled paper
9 7/8 × 7 9/16 in. (25.1 × 19.2 cm)
Whitney Museum of American Art, New York; Purchase, with funds from
the Drawing Committee
Reinventing the Dislocation, 1997
transparent and opaque watercolor, tea and charcoal on board
sheet: 13 x 9 5/16 in. (33 × 23.7 cm)
Whitney Museum of American Art, New York; Purchase, with funds from the Drawing Committee
The Scroll, 1991-92
Vegetable color, dry pigment, watercolor, and tea on Wasli paper
13 ½ x 63 7/8 in.
Private Collection
A profile of multimedia artist, Shahzia Sikander. Born in Lahore, Pakistan, Sikander moved to the United States in the 1990s. Over the subsequent years, her practice--which has expanded to include paintings, video installations, prints, and sculpture -- has been pivotal in showcasing the art of the South Asian diaspora as a contemporary American tradition.
Neil Koenig, former BBC Producer/Director and now ideaXme board advisor interviews artist Shahzia Sikander.
“Shahzia Sikander: Extraordinary Realities” | An Overview, The Museum of Fine Arts, Houston, March 25, 2022
In Conversation: Shahzia Sikander NA and Chrissie Iles, National Academy of Design, February 24, 2022
Art+ | Mapping Queerness: Gender and Sexuality in South Asian Diasporic Art, Asian Society, February 23, 2022
PBS NewsHour, Sep 24, 2021.
Shahzia Sikander: Extraordinary Realities at the The Morgan Library & Museum
Shahzia Sikander: Unbound – Khilvat Series
Julie Mehretu and Shahzia Sikander In Conversation, Moderated by Gayatri Gopinath
In conversation: Shahzia Sikander and Glenn Lowry, June 24, 2021
In conversation: Shahzia Sikander and Jeffrey Grove, December 3, 2020
Breaking Binaries: Thinking About Art in the Covid Age - Shahzia Sikander and Vishakha Desai, Pera Müzsei
Shahzia Sikander in conversation with Sadia Abbas and Ayad Akhtar, September 30, 2020
On the occasion of her forthcoming exhibition, Weeping Willows, Liquid Tongues, which will take place at the gallery from November 5 through December 19, 2020, Shahzia Sikander will be in conversation with Sadia Abbas, writer and professor at Rutgers University-Newark and the Stavros Niarchos Center for Hellenic Studies at Simon Fraser University and Ayad Akhtar, Pulitzer Prize–winning playwright and author. They will discuss Sikander’s exhibition, Sadia Abbas' forthcoming publication, Shahzia Sikander: Extraordinary Realities and Ayad Akhtar’s much acclaimed new book Homeland Elegies.
The Art of Independence: Visions of the Future in India and Pakistan
A conference held at at the Ashmolean Museum on October 12, 2017 and the Courtauld Institute of Art on October 13, 2017, convened by Faisal Devji and Mallica Kumbera Landrus (University of Oxford) with Deborah Swallow and Zehra Jumabhoy (The Courtauld Institute of Art, London). The conference was co-organised by the Ashmolean Museum, the Courtauld Institute of Art—Sackler Research Forum, the Oxford Centre for Global History and the Asian Studies Centre of St Antony’s College, and co-funded by the Oxford India Centre for Sustainable Development of Somerville College, the John Fell Fund, the Radhakrishnan Fund, the University Engagement Programme (funded by the Andrew W. Mellon Foundation), and the Oxford Research Centre in the Humanities.
Day 2, Futures Lost and Found: Citizenship and Contemporary Art (The Courtauld Institute of Art, London) Shahzia Sikander in conversation with Faisal Devji
Shahzia Sikander: Disruption as Rapture, Philadelphia Museum of Art, June 15, 2017
Drawing in Glass: Shahzia Sikander at Princeton University, Princeton University Art Museum, May 22, 2017
MAXXI Museum, Shahzia Sikander: Ecstasy As Sublime, Heart As Vector, July 12, 2016
Shahzia Sikander on Persian Miniature Painting, The Artist Project, Metropolitan Museum of Art, September 15, 2015
Shahzia Sikander at Sharjah Biennial 11, Artist to Artist, Art 21, October 11, 2013
SHORT: Shahzia Sikander: "The Last Post", Art 21 "Exclusive", January 25, 2013
Shahzia Sikander at the 13th Istanbul Biennial, Artist to Artist, Art 21, October 25, 2013