
b. 1953
b. 1953
Photo by Giorgia Fanelli
James Casebere was born in 1953, in East Lansing, Michigan. He attended Michigan State University and the Minneapolis College of Art and Design, from which he graduated in 1976 with a BFA. In the fall of 1977, he attended the Whitney Independent Study Program in New York and received an MFA from Cal Arts in 1979.
Casebere's pioneering work has established him at the forefront of artists working with constructed photography. For the last thirty years, Casebere has devised increasingly complex models that are subsequently photographed in his studio. Based on architectural, art historical and cinematic sources, his table-sized constructions are made of simple materials, pared down to essential forms. Casebere's abandoned spaces are hauntingly evocative and oftentimes suggestive of prior events, encouraging the viewer to reconstitute a narrative or symbolic reading of his work.
While earlier bodies of work focused on American mythologies such as the genre of the western and suburban home, in the early 1990s, Casebere turned his attention to institutional buildings. In more recent years, his subject matter focused on various institutional spaces and the relationship between social control, social structure and the mythologies that surround particular institutions, as well as the broader implications of dominant systems such as commerce, labor, religion and law.
In 2001, Sean Kelly gallery presented an exhibition that included works inspired by the indigenous architecture of the Caribbean Island of Nevis, traditional Japanese architecture and an imagined gallery space. This exhibition also featured a now well-known body of work inspired by Thomas Jefferson's utopian Monticello. In the following years, he has continued to investigate a wide range of iconic architectural spaces, resulting in increasingly sophisticated layers of interpretation. Two photographs from his recent series, Landscape with Houses (Dutchess County, NY), were featured in the 2010 Whitney Biennial. In May of 2013, The New York Times Magazine commissioned Casebere to create a new work for their cover.
Casebere was the winner of the American Academy in Rome Abigail Cohen Rome Prize Fellowship for 2019-20 and has been the recipient of numerous fellowships, including three from the National Endowment for the Arts, three from the New York Foundation for the Arts and one from the John Simon Guggenheim Memorial Foundation. His work is collected by museums worldwide, including the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; the Walker Art Center, Minneapolis; the Los Angeles Museum of Contemporary Art; the Los Angeles County Museum; and the Victoria and Albert Museum, London, England, among many others. In 2016, Casebere was a New York Foundation for the Arts Hall of Fame Honoree and the subject of important survey exhibitions: Fugitive at the Haus der Kunst in Munich, curated by Okwui Enwezor; Immersion at Espace Images Vevey in Switzerland; and After Scale Model: Dwelling in the Work of James Casebere, at the BOZAR/Centre for Fine Arts in Brussels, Belgium.
James Casebere lives and works in New York.
For more information, please visit jamescasebere.com
Yellow House on Water, 2018
framed archival pigment print mounted to dibond
paper: 44 x 66 3/4 inches (111.8 x 169.5 cm)
framed: 46 11/16 x 69 7/16 x 2 1/4 inches (118.6 x 176.4 x 5.7 cm)
edition of 5 with 2 APs
JC-268
Santa Teresa White Duplex, 2019
framed archival pigment print mounted to dibond
paper: 46 3/4 x 64 5/16 inches (118.7 x 163.4 cm)
framed: 49 5/8 x 67 3/16 x 2 1/4 inches (126 x 170.7 x 5.7 cm)
edition of 5 with 2 APs
JC-280
Blue House on Water #2, 2018
framed archival pigment print mounted to dibond
paper: 60 1/2 x 46 3/4 inches (153.7 x 118.7 cm)
framed: 63 3/8 x 49 5/8 x 2 1/4 inches (161 x 126 x 5.7 cm)
edition of 5 with 2 APs
JC-274
Flooded Street, 2019
framed archival pigment print mounted to dibond
paper: 65 3/16 x 46 3/4 inches (165.6 x 118.7 cm)
framed: 68 x 49 5/8 x 2 1/4 inches (172.7 x 126 x 5.7 cm)
edition of 5 with 2 APs
JC-282
House of Mirrors, 2019
framed archival pigment print mounted to dibond
paper: 60 x 46 3/4 inches (152.4 x 116.8 cm)
framed: 62 7/8 x 49 5/8 x 2 1/4 inches (159.7 x 126 x 5.7 cm)
edition of 5 with 2 APs
signed by the artist on label, verso
JC-283
Brutalist House on Water , 2019
framed archival pigment print mounted to dibond
paper 66 3/4 x 44 1/2 inches (169.5 x 113 cm)
framed: 69 5/8 x 47 3/8 x 2 1/4 inches (176.5 x 120.3 x 5.7 cm)
edition of 5 with 2 APs
signed by the artist on label, verso
JC-281
Orange Guesthouse, 2018
framed archival pigment print mounted to dibond
paper: 66 3/4 x 44 15/16 inches (169.5 x 114.1 cm)
framed: 69 5/8 x 47 13/16 x 2 1/4 inches (176.8 x 121.4 x 5.7 cm)
edition of 5 with 2 APs
signed by the artist on label, verso
JC-271
Red/Orange Solo Pavilion, 2018
framed archival pigment print mounted to dibond
paper: 66 3/4 x 46 inches (169.5 x 116.8 cm)
framed: 69 5/8 x 48 7/8 x 2 1/4 inches (176.8 x 124.1 x 5.7 cm)
edition of 5 with 2 APs
signed by the artist on label, verso
JC-272
Nalu (Tan), 2018
framed archival pigment print mounted to dibond
paper: 46 1/8 x 66 11/16 inches (117.2 x 169.4 cm)
framed: 49 x 69 9/16 x 2 1/4 inches (124.5 x 176.7 x 5.7 cm)
edition of 5 with 2 APs
signed by the artist on label, verso
JC-273
Cabana, 2017
framed archival pigment print mounted to dibond
paper: 66 3/4 x 46 5/8 inches (169.5 x 118.4 cm)
framed: 69 7/16 x 49 5/16 x 2 1/4 inches (176.4 x 125.3 x 5.7 cm)
edition of 5 with 2 APs
signed by the artist on label, verso
JC-265
Reception Room, 2017
framed archival pigment print mounted to dibond
paper: 59 5/8 x 44 3/8 inches (151.4 x 112.7 cm)
framed: 62 1/4 x 47 x 2 1/4 inches (158.1 x 119.4 x 5.7 cm)
edition of 5 with 2 APs
JC-258
Library, 2017
framed archival pigment print mounted to dibond
paper: 44 3/8 x 66 1/2 inches (112.7 x 168.9 cm)
framed: 47 x 69 3/16 inches (119.4 x 175.7 cm)
edition of 5 with 2 APs
JC-256
Vestibule, 2016
framed archival pigment print mounted to dibond
image: 62 x 44 5/16 inches (157.5 x 112.6 cm)
framed: 64 3/4 x 47 x 2 1/4 inches (164.5 x 119.4 x 5.7 cm)
edition of 5 with 2 APs
JC-251.M
Grandstand, 2016
framed fine art pigment print
paper: 46 1/2 x 77 inches (118.1 x 195.6 cm)
framed: 49 1/2 x 69 1/2 x 2 inches (125.7 x 176.5 x 5.1 cm)
edition of 5 with 2 APs
JC-250.M
Sea of Ice, 2014
framed fine art pigment print
paper: 37 3/4 x 49 3/4 inches (95.9 x 126.4 cm)
framed: 41 3/8 x 52 3/8 x 2 1/4 inches (105.1 x 133 x 5.7 cm)
edition of 5 with 2 APs
JC-246.M
Caffey's Inlet Lifesaving Station (Dare County, NC), 2013
framed fine art pigment print
paper: 45 7/8 x 66 3/4 inches (116.5 x 169.5 cm)
framed: 48 1/2 x 69 3/8 x 2 1/4 inches (123.2 x 176.2 x 5.7 cm)
edition of 5 with 2 APs
JC-243.M
Party at Caffey’s Inlet Lifesaving Station (Dare County, NC), 2013
framed fine art pigment print
paper: 46 3/4 x 60 1/16 inches (118.7 x 152.6 cm)
framed: 49 3/8 x 62 11/16 inches (125.4 x 159.2 cm)
edition of 5 with 2 APs
JC-242.M
Landscape with Houses (Dutchess County, NY) #9 , 2011
framed digital chromogenic print mounted to Dibond
paper: 69 1/2 x 87 1/2 inches (176.5 x 222.3 cm)
framed: 74 1/16 x 91 15/16 x 3 inches (188.1 x 233.5 x 7.6 cm)
edition of 5 with 2 APs
JC-231.L
Landscape with Houses (Dutchess County, NY) #3, 2010
framed digital chromogenic print mounted to Dibond
paper: 23 1/4 x 29 1/4 inches (59.1 x 74.3 cm)
framed: 25 3/4 x 31 3/4 inches (65.4 x 80.6 cm)
edition of 5 with 2 APs
JC-221.S
Mosque (After Sinan) #2, 2006
digital chromogenic print mounted to Plexiglas
111 3/4 x 142 inches (284 x 361 cm)
edition of 3 with 2 APs
JC-180
Tripoli, 2007
framed digital chromogenic print mounted to Dibond
image: 23 x 30 inches (58.4 x 76.2 cm)
framed: 25 x 32 inches (63.5 x 81.3 cm)
edition of 5 with 2 APs
JC-182.S
Abadia (from Lower Left), 2005
framed Cibachrome (dye destruction) print
paper: 58 3/4 x 46 1/2 inches (149.2 x 118.1 cm)
framed: 61 3/4 x 49 1/2 inches (156.8 x 125.7 cm)
edition of 5 with 2 APs
JC-174.M
Spanish Bath (Vertical), 2003
digital chromogenic print mounted to Plexiglas
90 x 71 1/2 inches (229 x 182cm)
edition of 5 with 2 APs
JC-155
Nevisian Underground #2, 2001
framed Cibachrome (dye destruction) print
paper: 59 1/2 x 46 1/2 inches (151.1 x 118.1 cm)
framed: 62 1/2 x 49 1/2 inches (158.8 x 125.7 cm)
edition of 5 with 2 APs
JC-104
Monticello #3, 2001
framed Cibachrome (dye destruction) print
paper: 46 1/2 x 58 inches (118.1 x 147.3 cm)
framed: 49 1/2 x 61 inches (125.7 x 154.9 cm)
edition of 5 with 2 APs
JC-102
Flooded Hallway, 1998
framed Cibachrome (dye destruction) print
paper: 46 1/2 x 58 3/8 inches (118.1 x 148.3 cm)
framed: 49 1/2 x 61 3/8 inches (125.7 x 155.9 cm)
edition of 5 with 2 APs
JC-30
Tunnels, 1995
framed Cibachrome (dye destruction) print
paper: 46 1/2 x 58 5/8 inches (118.1 x 148.9 cm)
framed: 49 1/2 x 61 5/8 inches (125.7 x 156.5 cm)
edition of 5 with 2 APs
JC-120
James Casebere: Fugitive, Haus der Kunst, Munich, February 12–June 12, 2016