b. 1987
Julian Charrière was born in Morges, Switzerland, in 1987 and currently lives and works in Berlin. His work has been the subject of solo presentations at major international institutions, among them SFMOMA, San Francisco; Langen Foundation, Neuss; Dallas Museum of Art, Dallas; MAMbo, Bologna; Berlinische Galerie, Berlin; Parasol Unit Foundation, London; Musée des Beaux-Arts, Lausanne; and Centre Culturel Suisse, Paris. Charrière has also been prominently featured at the 59th Biennale di Venezia; 57th Biennale di Venezia; the Antarctic Biennale; the Taipei Biennial; the 12th and 16th Biennale de Lyon; Centre Pompidou, Paris; Sprengel Museum, Hannover; Aarhus Kunstmuseum, Aarhus; SCHIRN Kunsthalle, Frankfurt; Hayward Gallery, Southbank Centre, London; and Palais de Tokyo, Paris. Julian Charrière is a former participant of the Institute for Spatial Experiments, an experimental education and research project at the Berlin University of the Arts led by Olafur Eliasson. A nominee of the Prix Marcel Duchamp in 2021, Charrière in 2022 received the 14th SAM Prize for Contemporary Art.
Controlled Burn | Cooling Tower A.7, 2023
the work is accompanied by a signed certificate of authenticity
archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminum Dibond, framed (aluminum), ArtGlass anti-reflective glass
image/paper: 59 1/16 x 86 5/8 inches (150 x 220 cm)
framed: 60 3/16 x 87 3/4 x 1 9/16 inches (152.8 x 222.8 x 4 cm)
edition of 5 with 2 APs (#3/5)
(JCh-377.3)
Controlled Burn | Open-Pit Mine G.4, 2023
archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminum Dibond, framed (aluminum), ArtGlass anti-reflective glass
image/paper: 86 5/8 x 59 1/16 inches (220 x 150 cm)
framed: 87 3/4 x 60 3/16 x 1 9/16 inches (222.8 x 152.8 x 4 cm)
edition of 5 with 2 APs (#3/5)
the work is accompanied by a signed certificate of authenticity
JCh-375.3
Controlled Burn | Cooling Tower B.1, 2023
archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminum Dibond, framed (aluminum), ArtGlass anti-reflective glass
image/paper: 86 5/8 x 59 1/16 inches (220 x 150 cm)
framed: 87 3/4 x 60 3/16 x 1 9/16 inches (222.8 x 152.8 x 4 cm)
edition of 5 with 2 APs (#1/5)
the work is accompanied by a signed certificate of authenticity
JCh-374.1
And Beneath It All Flows Liquid Fire, 2019
The work is accompanied by a signed certificate of authenticity
4k color film, aspect ratio 16:9, stereo sound, continuous loop
Edition of 5 with 2 APs
(JCh-15)
Towards No Earthly Pole - Sovetskaya, 2019
archival pigment print on Hahnemühle FineArt Pearl, mounted on aluminum dibond, framed (alder), Mirogard anti-reflective glass
paper: 31 1/2 x 39 3/8 inches (80 x 100 cm)
framed: 32 3/16 x 40 1/16 x 1 5/8 inches (81.8 x 101.8 x 4.2 cm)
Edition of 5 with 1AP
(JCh-327)
Towards No Earthly Pole - Mercer, 2019
the work is accompanied by a signed certificate of authenticity
archival pigment print on Hahnemühle FineArt Pearl, mounted on aluminum dibond, framed (alder), Mirogard anti-reflective glass
paper: 31 1/2 x 39 3/8 inches (80 x 100 cm)
framed: 32 3/16 x 40 1/16 x 1 5/8 inches (81.8 x 101.8 x 4.2 cm)
edition of 5 with 1 AP
(JCh-328)
An Invitation to Disappear - Sanggau, 2018
archival pigment print on Hahnemühle Photo Rag, mounted on aluminum dibond, framed, Mirogard anti-reflective glass
paper: 59 1/16 x 73 13/16 inches (150 x 187.5 cm)
framed: 60 9/16 x 75 5/16 x 2 inches (153.8 x 191.3 x 5 cm)
edition of 3 with 1 AP
the work is accompanied by a signed certificate of authenticity
JCh-287
An Invitation to Disappear - Sorong, 2018
archival pigment print on Hahnemühle Photo Rag, mounted on aluminum dibond, framed, Mirogard anti-reflective glass
paper: 59 1/16 x 73 13/16 inches (150 x 187.5 cm)
framed: 60 9/16 x 75 5/16 x 2 inches (153.8 x 191.3 x 5 cm)
edition of 3 with 1 AP
the work is accompanied by a signed certificate of authenticity
JCh-275
Metamorphism XXXXI, 2016
artificial lava and molten computer waste
65 15/16 x 11 13/16 x 11 13/16 inches (170 x 30 x 30 cm)
JCh-69
Detail of Metamorphism XXXXI, 2016
artificial lava and molten computer waste
65 15/16 x 11 13/16 x 11 13/16 inches (170 x 30 x 30 cm)
JCh-69
Metamorphism XXXXII, 2016
artificial lava and molten computer waste
65 15/16 x 11 13/16 x 11 13/16 inches (170 x 30 x 30 cm)
JCh-70
Detail of Metamorphism XXXXII, 2016
artificial lava and molten computer waste
65 15/16 x 11 13/16 x 11 13/16 inches (170 x 30 x 30 cm)
JCh-70
Metamorphism XXXXIV, 2016
artificial lava and molten computer waste
65 15/16 x 11 13/16 x 11 13/16 inches (170 x 30 x 30 cm)
JCh-72
Detail of Metamorphism XXXXIV, 2016
artificial lava and molten computer waste
65 15/16 x 11 13/16 x 11 13/16 inches (170 x 30 x 30 cm)
JCh-72
Nutmeg - First Light, 2016
large format color photograph, double-exposed through radioactive material, archival pigment print on Hahnemüle Photo Rag, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass
paper: 59 1/8 x 73 7/8 inches (150.2 x 187.7 cm)
framed: 60 1/2 x 75 5/16 x 1 5/8 inches (153.8 x 191.3 x 4.2 cm)
unique
JCh-237
Polygon XXVIII, 2015
medium format black and white photograph, double exposure through thermonuclear strata, on Photo Rag Baryta, Semipalatinsk nuclear weapons test site in Kazakhstan
48 3/8 x 56 1/4 inches (122.8 x 142.8 cm)
edition of 3 with 1 AP
JCh-146
The Blue Fossil Entropic Stories I, 2013
archival pigment print on Hahnemühle Photo Rag
various dimensions
The Blue Fossil Entropic Stories II, 2013
archival pigment print on Hahnemühle Photo Rag
various dimensions
Panorama 52° 29' 43.30" N 13° 22' 13.27" E, 2011
c-print on aluminium Dibond
various dimensions
Panorama 52° 29' 43.28" N 13° 22' 13.53" E, 2011
c-print on aluminium Dibond
various dimensions
Panorama 52° 31' 10.81" N 13° 24' 44.14" E, 2011
c-print on aluminium Dibond
various dimensions
