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Sean Kelly is delighted to return to Frieze London to present a dynamic booth bringing together a powerful selection of paintings, sculptures, photography, and works on paper. The booth highlights artists who push the boundaries of their mediums, while employing rich material experimentation to explore themes of transformation, space, and the reimagining of established art historical narratives.

This year's booth prominently features Jose Dávila and Awol Erizku's wall-mounted sculptures which riff on Donald Judd's iconic Stacks, whilst delivering contemporary discourses on a wide-ranging series of topics from art history to cultural consumption.

The booth features work by Marina Abramović, Julian Charrière, Laurent Grasso, Donna Huanca, Hugo McCloud, Sam Moyer, Brian Rochefort, Janaina Tschäpe, and Kehinde Wiley. After her 1988 Great Wall of China walk, Marina Abramović began creating Transitory Objects to invite public participation with her work. Her Shoes for Departure, made of quartz crystal, encourage mental rather than physical movement. Abramović’s solo exhibition on view at the Moco Museum London features sculptures from this series. Julian Charrière's photograph, from his film Controlled Burn, captures the interior of a cooling tower engulfed in exploding fireworks highlighting societies dependence on fossil fuels. A painting from Laurent Grasso’s Studies into the Past series pays homage to the impressionist Claude Monet in its depiction of London’s Houses of Parliament while referencing his film Soleil Double. The legacy of Monet's London period, currently on view at The Courtauld Institute of Art, resonates deeply with Grasso’s exploration of history, light, and time. Donna Huanca's painting integrates images from her performances, overlaying them with oil pigments and natural materials to address the fleeting essence of performance through the permanent medium of painting. Hugo McCloud's geometric tar-stamped painting combines unconventional industrial materials with woodblock printing processes in vibrant colors. A new work from Sam Moyer’s Clippings series emphasizes the dynamic possibilities of combining recycled stone and painted canvas in a unique and distinctive manner. A new painting by Kehinde Wiley continues to push the boundaries of traditional portraiture by blending classical art historical techniques with contemporary representations of race and identity.

Janina Tschäpe and Brian Rochefort currently have exhibitions on view at our galleries in New York and Los Angeles. Rochefort’s otherworldly sculptures, characterized by rich textural patterns and vivid tonal shifts are influenced by his extensive explorations of remote and secluded landscapes. Similarly, Tschäpe's abstract paintings and works on paper evoke imagery of the natural world, evincing notions of growth, transformation, and metamorphosis.

For all media inquiries, please contact Adair Lentini at Adair@skny.com

For all other inquires, please contact the gallery at 212.239.1181 or info@skny.com

For more information on the fair, including hours and ticketing information, please visit frieze.com

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles

Jose Dávila, Untitled, 2024

Jose Dávila

Untitled, 2024

the work is accompanied by a signed certificate of authenticity

cardboard, vinyl paint, and bottle caps

143 5/16 x 21 1/4 x 21 7/16 inches (364 x 54 x 54.4 cm)

unique

(JDa-24.95)

Awol Erizku, Oh, what a feeling, fuck it, I want a Billion, 2018

Awol Erizku

Oh, what a feeling, fuck it, I want a Billion, 2018

the work is accompanied by a signed certificate of authenticity

7 regulation size basketball rims with painted stainless steel nets and a Spalding NBA basketball

148 1/8 x 18 7/8 x 24 3/8 inches (376.2 x 47.9 x 61.9 cm)

edition of 1 with 1 AP (#1/1)

(AE-145.1)

Laurent Grasso, Studies into the Past, 2022

Laurent Grasso

Studies into the Past, 2022

the work is accompanied by a signed certificate of authenticity

oil on canvas

painting: 25 9/16 x 39 3/8 x 1 inches (65 x 100 x 2.5 cm)
framed: 27 9/16 x 41 5/16 x 2 inches (70 x 105 x 5 cm)

(LG-P.22.4011)

Hugo McCloud, Boxed in, 2024

Hugo McCloud

Boxed in, 2024

signed by artist on label, verso

aluminum foil, aluminum coating, and oil paint on tar paper

78 x 108 x 2 3/8 inches (198.1 x 274.3 x 6 cm)

(HM-477)

Hugo McCloud

Boxed in, 2024

signed by artist on label, verso

aluminum foil, aluminum coating, and oil paint on tar paper

78 x 108 x 2 3/8 inches (198.1 x 274.3 x 6 cm)

(HM-477)

Janaina Tschäpe, purple perfume, 2024

Janaina Tschäpe

purple perfume, 2024

signed by artist, verso

oil and oil stick on linen

70 x 70 x 1 1/2 inches (177.8 x 177.8 x 3.8 cm)

(JTs-P.24.3072)

Sam Moyer, Clipping 16, 2024

Sam Moyer

Clipping 16, 2024

the work is accompanied by a signed certificate of authenticity

marble, acrylic on plaster-coated canvas mounted to MDF

30 1/4 x 24 1/2 x 1 inches (76.8 x 62.2 x 2.5 cm)

(SM-P.24.1651)

Brian Rochefort, Evening Dew, 2024

Brian Rochefort

Evening Dew, 2024

the work is accompanied by a signed certificate of authenticity

ceramic, glaze, glass fragments

24 x 22 x 21 inches (61 x 55.9 x 53.3 cm)

(BRoc-6)

Donna Huanca, RAYOS Y VENAS, 2024

Donna Huanca

RAYOS Y VENAS, 2024

signed by artist, verso

oil, sand on digital print on canvas

70 7/8 x 52 inches (180 x 132 cm)

(DHu-18667)

Marina Abramović, Shoes for Departure, 1991/2017

Marina Abramović

Shoes for Departure, 1991/2017

the work is accompanied by a signed certificate of authenticity

quartz crystal

8 1/4 x 20 1/2 x 9 1/2 inches (21 x 52 x 24 cm)
8 5/8 x 21 1/4 x 10 inches (22 x 54 x 25 cm)

(MA-291)

Julian Charrière, Controlled Burn | Cooling Tower B.8, 2023

Julian Charrière

Controlled Burn | Cooling Tower B.8, 2023

the work is accompanied by a signed certificate of authenticity

archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminum Dibond, framed (aluminum), ArtGlass anti-reflective glass

image/paper: 86 5/8 x 59 1/16 inches (220 x 150 cm)
framed: 87 3/4 x 60 3/16 x 1 9/16 inches (222.8 x 152.8 x 4 cm)

edition of 5 with 2 APs (#3/5)

(JCh-455.3)