b. 1988
b. 1988
Los Angeles-based artist Awol Erizku’s multi-disciplinary practice encompasses photography, sculpture, painting, installation, film, and sound to shape an artistic language that exists at the intersection of image making and language. Bridging the visual and cultural gap between African and Black American cultures, Erizku’s work rejects Eurocentric notions of art and beauty in favor of building his singular Afrocentric aesthetic, something he refers to as “Afro-esotericism.” Rather than convey any singular entity or narrative, he explores the intersections of ancient mythology, diasporic tradition, and contemporary culture through his symbolic constellation of images spanning a breadth of media.
A canny synthesizer of symbols from popular culture and the tropes of art history, Erizku references disparate signifiers to inform his political, intellectual, and formal inquiries. Renaissance portraiture, Dutch still life painting, and the contemporary art canon all inform his visual vocabulary. Similarly, Erizku draws from multiple historic and aesthetic sources, including African art, assemblage, realism, conceptual art, and performance, and often incorporates hip-hop and Trap vernaculars as a springboard for making new connections and meanings. Taking a holistic approach to object and experience making, Erizku weaves alternate narratives that interrogate art history, philosophy, linguistics, and artistic inclusion.
Born in Gondar, Ethiopia, in 1988, Erizku attended The Cooper Union before receiving his MFA from Yale University. He has had solo exhibitions with The SCAD Museum of Art, The Public Art Fund, New York, and The FLAG Art Foundation, New York. His work has been exhibited at prominent institutions, including Getty Museum, Los Angeles, CA; Museum of Modern Art, NY; the Studio Museum Harlem, NY; the Crystal Bridges Museum of Art, Bentonville, AR; the Irish Museum of Modern Art, Dublin; the Museum of Contemporary Art, Toronto; the Museum of the African Diaspora, San Francisco; and the FLAG Art Foundation, NY, amongst others. His work is in the permanent collection of many institutions worldwide, including the Museum of Fine Arts, Boston, MA; the Norton Museum of Art, Palm Beach, FL; The FLAG Art Foundation, NY; the Santa Barbara Museum of Art, CA; LACMA, Los Angeles, CA; The Metropolitan Museum of Art, NY, and The Whitney Museum of American Art, NY.
Secret Rebirth of Sleeping Dreams, 2024
C-print
print: 40 x 30 inches (101.6 x 76.2 cm)
framed: 40 15/16 x 30 15/16 x 1 3/4 inches (104 x 78.6 x 4.4 cm)
(AE-67.2)
M3TAMO4PHO$I$ (I’m talkin’ Hieroglyphics), 2023
neon mounted to aluminum
approx.: 59 1/2 x 99 inches (151.1 x 251.5 cm)
edition of 3 with 2 APs
Smoke #10, 2023
paint on aluminum with fire alarm
painting: 96 x 72 inches (243.8 x 182.9 cm)
framed with fire alarm: 96 3/4 x 72 3/4 x 3 3/4 inches (245.7 x 184.8 x 9.5 cm)
Nefertiti - Miles Davis (Black), 2022
hard coated foam, hand-cut glass tile, chain and rotating electric motor
30 x 15 x 23 inches (76.2 x 38.1 x 58.4 cm)
edition of 6 with 2 APs
Lion (Body) 1, 2022
Duratrans on lightbox
50 7/8 x 67 1/4 x 3 3/4 inches
Figi, 2021-2023
digital C-print mounted with 1/8" Plexi, LED light box frame
print: 60 x 48 inches (152.4 x 121.9 cm)
framed: 61 3/8 x 49 3/8 x 3 3/4 inches (155.9 x 125.4 x 9.5 cm)
edition of 3 with 2 APs
So many clothes I ran out of hangers (Black, White & Grass), 2019
Metal fence with barbed wire, assorted tees on hangers
82 x 98 x 9 inches
Plain Jane (If Someone Asks for the Time, Don't Tell Them How the Watch is Made), 2021
inkjet print on Hahnemuhle Photo Rag Ultra Smooth Matte paper, artist frame
57 1/4 x 43 inches
RBG Tychism, 2021
Inkjet print on Hahnemuhle Photo Rag Ultra Smooth Matte paper
28 1/4 x 45 1/2 inches
Jaheem, 2020
Digital chromatic print
Dimensions: 53 1/4 x 40 inches
Pharoah Whispers, 2020
Duratrans on lightbox
50 1/4 x 34 7/8 x 3 3/4 inches
Dada Flex (Slight Drip), 2020
digital chromogenic print
25 x 20 inches (63.5 x 50.8 cm)
edition of 3 with 2 APs
(AE-133.1)
Zuhr, 2020
Duratrans on lightbox
61 5/8 x 49 3/8 x 3 3/4 inches
MALCOLM X FREESTYLE (PHARAOH’S DANCE), 2019-20
Digital chromatic print
50.8 x 63.5 cm; (20 x 25 in.)
Edition of 3 + 2 AP
Nefertiti (Lit Freestyle), 2018-2020
digital chromogenic print
30 x 20 inches (76.2 x 50.8 cm)
edition of 3 with 2 APs
(AE-134.1)
Moon Voyage (Keep me in mind), 2018-2020
Duratrans on lightbox
40 x 30 inches
Love is bond (Young Queens), 2018-2020
Duratrans on lightbox
40 x 32 inches
Someday my prince will come, 2018
Archival pigment print
43 x 52 in
Oh, what a feeling, fuck it, I want a Billion, 2018
7 regulation size basketball rims with painted stainless steel nets and Spaulding NBA basketball
148 1/8 x 18 7/8 x 24 3/8 inches
PURPLE REIGN (BITCHES BREW), 2017
Digital chromatic print
20 x 24 inches
24/8, 2016-2024
neon mounted to aluminum
60 x 32 x 5 inches (152.4 x 81.3 x 12.7 cm)
(AE-53.3)
Sean Kelly is delighted to present Delirium of Agony, Awol Erizku’s first solo exhibition at Sean Kelly, New York. With this exhibition, Erizku examines the construction of cultural iconography through the lens of contemporary hip-hop, street culture, art history, sports, and entertainment.