Poetry Passage#6 considers the economies of words and the insufficiency of semantics while investigating the politics of representation and the grammar of affect. Czech artist, Radek Brousil practices pictorial poetry of the unrepresentable and the invisible. Unveiling manipulation strategies, inherent within the technological apparatus of photographic medium, the artist points out the political and social implications of the image production which identify the agencies of power, contribute to the construction of otherness and consequently influence the viewer's perception.
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