Landmines: Dawoud Bey, Christina Fernandez, Richard Mosse, Rick Silva presents camera-based work by artists exploring the role landscape plays in burying or exhuming social history. It coincides with the bicentennial of Hudson River School founder Thomas Cole’s first trip up the Hudson River. The trip is often recounted as the origination of an art movement lauded for pastorals that were inflected with Protestant ideals. Yet what this exhibition commemorates is a confluence of events that give broader significance to the year 1825 and that compel us to think critically about the relationship between land, representation, and history. 200 years ago was also when the earliest existing landscape photographs were taken and when large populations of Native people from New York were forcibly relocated to Wisconsin. Through photographs and video that shed light on sites of exploitation, Landmines commemorates this laden anniversary by offering contemporary perspectives on what landscapes recall about ourselves.