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Sean Kelly is pleased to present After…, Idris Khan’s fourth solo exhibition with the gallery. This presentation coincides with his first major museum exhibition in the US at the Milwaukee Art Museum, opening to the public on April 5.

Idris Khan - After… - Exhibitions - Sean Kelly Gallery

After… showcases several exciting developments in Khan’s practice. The exhibition introduces a process whereby the artist deconstructs art historical masterpieces to rich pallets of color referencing the volume and importance of the original painting’s power.

Idris Khan - After… - Exhibitions - Sean Kelly Gallery

"Through my artistic practice, I have always repeated things layer on top of layer on top of layer and I suppose that repetition and that sort of reoccurrence somehow influences everything that I make today." - Idris Khan

Khan’s newest explorations focus on color and music, and their abilities to contain a world of memories, associations, and emotions which resonate on a universal level. Utilizing technology as complex as it is sensitive and poetic, Khan scans photographic reproductions of these artworks into a sound software that reveals their tone and color density. He then creates separate oil and water-based ink works with the dimensions of each color corresponding to the percentage in which it appears in the original painting. 

Idris Khan - After… - Exhibitions - Sean Kelly Gallery

Each artwork is comprised of a grid-like structure of individually framed elements denoting the original work’s specific color palette. Khan also assigns musical notations to each hue and transcribes them to create a score for each painting. The panels are repeatedly stamped, in Khan’s signature style, with each works distinctive notation and overlaid with collaged sheet music, carefully selected for its shape and pattern. With this new body of work, Khan moves from representing a collapse in time to making evident the soundscape of each masterpiece. After… takes as its source iconic paintings so familiar that they now form part of the collective unconscious, including Leonardo da Vinci’s Mona Lisa, Johannes Vermeer’s The Milkmaid, and his Girl Reading a Letter at an Open Window.

"There's so much emotion in the work if you can slow down to start looking at the surfaces and thinking about what [Khan] adds each step of the way." - Marcelle Polednik

Idris Khan - After… - Exhibitions - Sean Kelly Gallery

Idris Khan’s oeuvre draws on diverse cultural sources–literature, history, art, and music–to shape a distinctive narrative featuring densely layered images that metaphysically condense time into single moments. After… marks an important evolution in Idris Khan’s artistic practice and pays homage to the twentieth anniversary of Every…, Khan’s MFA exhibition from the Royal College of Art in London. It signifies a compelling shift in Khan’s artistic paradigm, inviting viewers to take a nuanced and multi-level approach to how they perceive a work of art. The exhibition includes a selection of new oil and water-based ink works and gesso on aluminum panel paintings, for which Khan is known, incorporating into the work a striking new palette.

Idris Khan - After… - Exhibitions - Sean Kelly Gallery

Idris Khan’s first US museum solo exhibition, Repeat After Me, opens at the Milwaukee Art Museum on April 5, 2024. Featuring major works covering every facet of Khan’s career, the exhibition includes new works that respond directly to paintings in the museum’s permanent collection. The exhibition will be on view through August 11, 2024.

Idris Khan lives and works in London, United Kingdom. His work has been the subject of major solo exhibitions at international institutions, including Chateau la Coste, France; The New Art Gallery Walsall, Walsall, UK; the Whitworth Gallery, the University of Manchester, UK; Gothenburg Konsthall, Sweden; the Museum of Contemporary Canadian Art, Toronto, Canada; Kunsthaus Murz, Mürzzuschlag, Austria, and K20, Dusseldorf, Germany. Khan’s design for Abu Dhabi’s memorial park, Wahat Al Karama, was awarded the 2017 American Architecture Prize, and he was appointed an OBE for services to Art in the 2017 Queen’s Birthday Honors List. His work is in the permanent collections of many institutions worldwide, including the Los Angeles County Museum of Art; the Albright-Knox Museum, New York; The British Museum, London; the National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; the Solomon R. Guggenheim Museum, New York; the Norton Museum of Art, Palm Beach, FL; the Tel Aviv Museum of Art, Israel; the Art Gallery of New South Wales, Sydney, Australia; the Philadelphia Museum of Art; the de Young Museum, San Francisco; and the Centre Georges Pompidou, Paris, France.

For press, please contact Adair Lentini at Adair@skny.com

For all other inquiries, please contact Janine Cirincione at Janine@skny.com

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Installation view of Idris Khan: After… at Sean Kelly, New York, March 15 – May 4, 2024, Photography: Jason Wyche, Courtesy: Sean Kelly New York/Los Angeles

Idris Khan, A hard-silenced tear, 2023

Idris Khan

A hard-silenced tear, 2023

oil based ink on gesso ground, aluminum panel

panel: 98 5/8 x 78 3/4 x 1 3/16 inches (250.5 x 200 x 3 cm)
framed: 99 7/16 x 79 1/2 x 2 inches (252.6 x 202 x 5 cm)

(IK-659)

Idris Khan, After The Letter, 2022-24

Idris Khan

After The Letter, 2022-24

oil and water based inks on paper and collage mounted on Dibond, in 9 parts

overall: 42 3/4 x 231 7/8 x 2 3/4 inches (108.6 x 589 x 7 cm)

(IK-677)

Idris Khan, Lines of hope, 2024

Idris Khan

Lines of hope, 2024

oil based ink on gesso ground, aluminum panel

panel: 82 11/16 x 68 1/2 x 1 3/16 inches (210 x 174 x 3 cm)
framed: 83 11/16 x 69 7/16 x 2 inches (212.5 x 176.3 x 5 cm)

(IK-696)

Idris Khan, After Lisa, 2022-24

Idris Khan

After Lisa, 2022-24

oil and water based inks on paper and collage mounted on Dibond, in 9 parts

overall: 104 7/8 x 79 7/8 x 2 3/4 inches (266.4 x 202.9 x 7 cm)

(IK-682)

Idris Khan, After The Prodigal Son, 2022-24

Idris Khan

After The Prodigal Son, 2022-24

oil and water based inks on paper and collage mounted on Dibond, in 14 parts

overall: 113 1/4 x 90 5/16 x 2 3/4 inches (287.7 x 229.4 x 7 cm)

(IK-681)

Idris Khan, After The Maid, 2022-24

Idris Khan

After The Maid, 2022-24

oil and water based inks on paper and collage mounted on Dibond, in 8 parts

overall: 104 5/16 x 86 1/4 x 2 3/4 inches (265 x 219.1 x 7 cm)

(IK-687)

Idris Khan, A tree at dusk, 2024

Idris Khan

A tree at dusk, 2024

oil based ink on gesso ground, aluminum panel

panel: 55 1/2 x 51 3/16 x 1 3/16 inches (141 x 130 x 3 cm)
framed: 56 3/8 x 52 x 2 inches (143.2 x 132 x 5 cm)

(IK-697)

Idris Khan, Above the field, 2023

Idris Khan

Above the field, 2023

oil based ink on gesso ground, aluminum panel

panel: 68 1/2 x 82 11/16 x 1 3/16 inches (174 x 210 x 3 cm)
framed: 69 7/16 x 83 11/16 x 2 inches (176.3 x 212.5 x 5 cm)

(IK-526)

Idris Khan, I’ll find you in every lifetime, 2023

Idris Khan

I’ll find you in every lifetime, 2023

oil based ink on gesso ground, aluminum panel

panel: 55 1/2 x 51 3/16 x 1 3/16 inches (141 x 130 x 3 cm)
framed: 56 11/16 x 52 x 2 inches (144 x 132 x 5 cm)

(IK-516)

Idris Khan, After The Ship, 2022-24

Idris Khan

After The Ship, 2022-24

oil and water based inks on paper and collage mounted on Dibond, in 15 parts

overall: 81 3/4 x 127 x 2 3/4 in (207.6 x 322.6 x 7 cm)

(IK-683)