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Sean Kelly is delighted to announce Seeds of Time, James Casebere’s ninth solo exhibition with the gallery. Continuing Casebere’s ever-evolving exploration of form at the intersection of architecture, sculpture, and photography, this new body of work celebrates three fundamental principles: biomorphic design, social responsibility, and environmental sustainability. Through a meticulous process of artistic reinterpretation, Casebere transforms architectural designs into striking two-dimensional images. 

James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery

The exhibition delves into contemporary architectural trends, using water as a central theme to evoke an awareness of climate change. Each structure in Seeds of Time is surrounded by water, often a symbol in Casebere’s work for the unconscious, the passage of time, and memory. These new works internalize the urgency and emotional context of the climate crisis and celebrate human ingenuity.

James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery

Drawing inspiration from Indian-born Pritzker Prize-winning architect Balkrishna Doshi (1927-2023), the photographs Balconies and Stairs, are based on Doshi’s vibrant color drawings of his low-cost housing development, The Aranya, in Indore, India. Unlike many public or low-income housing projects in India, which were often bleak, Doshi’s designs were lively and intended for modification by their inhabitants. Casebere intensified the colors in his works to echo the transformations made by residents.

“The models are inspired by the work of architects I admire, who are trying to respond to values I support like zero carbon, sustainability, low-cost housing.” - James Casebere

James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery
James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery

Both Cavern with Skylights images reference Amdavad ni Gufa, an underground art gallery designed by Doshi. The concept was to create an open building that blurs the boundaries between formal and informal spaces while increasing interaction with nature. These images emphasize the natural geological forms to highlight the biomorphic qualities of the architecture.

“I began to think more and more about architectural space, the psychology of interior space, architecture as a sign system conveying messages and how to express that." - James Casebere

James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery
James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery

Casebere further explores biomorphic forms in Patio with Blue Sky and School to create works that focus on the integration of natural and synthetic elements, in an interpretation of Burkinabé-German architect Francis Kéré’s (b.1965) “Startup Lions Campus” in Kenya. Greenhouse, extends the bio-morphic design language by merging sculptural forms with natural foliage, creating a living sculpture set within a pond. 

“I wanted [viewers] to be carried into the image by the rising water, to be sucked into the center.” - James Casebere

James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery
James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery

Beach Huts (Day) and Beach Huts (Night), draw on Kéré’s innovative complex in Burkina Faso. These photographs depict colorful huts that explore themes of community and the needs of marginalized populations, a testament to the dynamic relationship between individual creativity and social group dynamics. 

"I imagine the models that I build specifically to photograph as prototypes for larger sculpture and can sometimes picture them onsite." - James Casebere

James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery

"We are all engaged in building our own worlds. In the end I am making a picture and there is an ambiguity about its meaning.” - James Casebere

James Casebere - Seeds of Time - 展覽 - Sean Kelly Gallery

Likewise, Chulah Cookstove is inspired by Pakistani architect Yasmeen Lari’s (b.1941) innovative design, which highlights the need for elevated outdoor stoves designed to mitigate flooding and improve health in impoverished areas.

The exhibition showcases James Casebere’s unique ability to intertwine artistic vision with pressing contemporary issues. In Seeds of Time, Casebere reflects on the potential of architecture to foster sustainable and socially responsible solutions. His use of water, both as a symbol and a material, underscores the delicate balance between human innovation and environmental stewardship. This body of work not only celebrates architectural ingenuity but also challenges us to consider our role in shaping a sustainable future.

James Casebere was the winner of the American Academy in Rome Abigail Cohen Rome Prize Fellowship for 2019-20 and has been the recipient of numerous fellowships, including three from the National Endowment for the Arts, three from the New York Foundation for the Arts and one from the John Simon Guggenheim Memorial Foundation. His work is in permanent collections of institutions including the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; the Walker Art Center, Minneapolis; the Los Angeles Museum of Contemporary Art; the Los Angeles County Museum of Art; and the Victoria and Albert Museum, London, England, among many others. In 2016, Casebere was a New York Foundation for the Arts Hall of Fame Honoree and the subject of important survey exhibitions: Fugitive at the Haus der Kunst in Munich, curated by Okwui Enwezor; Immersion at Espace Images Vevey in Switzerland; and After Scale Model: Dwelling in the Work of James Casebere, at the BOZAR/Centre for Fine Arts in Brussels, Belgium. James Casebere lives and works in New York. 

Shou Sugi Ban A Series of Sculptural Work by James Casebere will open at ‘T’ Space in Rhinebeck, NY, during Upstate Art Weekend (July 20 – 21). The exhibition will present a new series of large-scale wooden geometric sculptures that engage notions of synthetic nature: bio-design—or self-generating forms that suggest organic or inorganic growth. The exhibition will be on view until October 13, 2024.

 

For press, please contact Adair Lentini at Adair@skny.com

For all other inquiries, please contact Cecile Panzieri at Cecile@skny.com

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

Installation view of James Casebere: Seeds of Time at Sean Kelly, New York, June 27 – August 2, 2024, Photography: Adam Reich, Courtesy: Sean Kelly, New York/Los Angeles

James Casebere, Balconies, 2023, framed archival pigment print mounted to Dibond, paper: 46 3/4 x 51 3/16 inches, framed: 49 1/2 x 53 15/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Balconies, 2023, framed archival pigment print mounted to Dibond, paper: 46 3/4 x 51 3/16 inches, framed: 49 1/2 x 53 15/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Stairs, 2023, framed UV print on Dibond, artwork: 72 x 84 3/16 inches, framed: 74 3/4 x 86 15/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Stairs, 2023, framed UV print on Dibond, artwork: 72 x 84 3/16 inches, framed: 74 3/4 x 86 15/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Beach Huts (Day), 2024, framed archival pigment print mounted to Dibond, paper: 42 9/16 x 66 3/4 inches framed: 45 3/8 x 69 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Beach Huts (Day), 2024, framed archival pigment print mounted to Dibond, paper: 42 9/16 x 66 3/4 inches framed: 45 3/8 x 69 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Beach Huts (Night), 2024, framed archival pigment print mounted to Dibond, paper: 45 15/16 x 66 3/4 inches, framed: 48 3/4 x 69 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Beach Huts (Night), 2024, framed archival pigment print mounted to Dibond, paper: 45 15/16 x 66 3/4 inches, framed: 48 3/4 x 69 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Patio with Blue Sky, 2024, framed archival pigment print mounted to Dibond, paper: 57 3/4 x 46 3/4 framed: 60 9/16 x 49 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Patio with Blue Sky, 2024, framed archival pigment print mounted to Dibond, paper: 57 3/4 x 46 3/4 framed: 60 9/16 x 49 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, School, 2024, framed archival pigment print mounted to Dibond, paper: 46 3/4 x 65 1/8 inches, framed: 49 9/16 x 67 15/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, School, 2024, framed archival pigment print mounted to Dibond, paper: 46 3/4 x 65 1/8 inches, framed: 49 9/16 x 67 15/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Greenhouse, 2024, framed archival pigment print mounted to Dibond, paper: 66 3/4 x 44 1/2 inches, framed: 69 9/16 x 47 5/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Greenhouse, 2024, framed archival pigment print mounted to Dibond, paper: 66 3/4 x 44 1/2 inches, framed: 69 9/16 x 47 5/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Chulah Cookstove, 2024, framed archival pigment print mounted to Dibond, paper: 58 1/8 x 46 3/4 inches, framed: 60 15/16 x 49 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Chulah Cookstove, 2024, framed archival pigment print mounted to Dibond, paper: 58 1/8 x 46 3/4 inches, framed: 60 15/16 x 49 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Cavern with Skylights H, 2024, framed archival pigment print mounted to Dibond, paper: 46 3/4 x 60 3/4 inches, framed: 49 9/16 x 63 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Cavern with Skylights H, 2024, framed archival pigment print mounted to Dibond, paper: 46 3/4 x 60 3/4 inches, framed: 49 9/16 x 63 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Cavern with Skylights V, 2024, framed archival pigment print mounted to Dibond, paper: 63 3/8 x 46 3/4 inches, framed: 66 3/16 x 49 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles

James Casebere, Cavern with Skylights V, 2024, framed archival pigment print mounted to Dibond, paper: 63 3/8 x 46 3/4 inches, framed: 66 3/16 x 49 9/16 x 2 1/4 inches © James Casebere Courtesy: the artist and Sean Kelly, New York/Los Angeles