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新聞稿

Sean Kelly Gallery is delighted to announce a major exhibition of new works by Ilya & Emilia Kabakov. This is the Kabakovs' first exhibition since joining the gallery. During the opening the Kabakovs will sign copies of their recently published two-volume catalogue raisonné of the installations, Ilya Kabakov: Installations 1983 - 2000 published by Richter Verlag.

The Kabakovs' exhibition is comprised of two important large-scale installations and a series of new drawings. The installation in the main gallery, 20 Ways to Get an Apple Listening to the Music of Mozart, is an enormous dinner table with an apple in the middle and twenty place settings. The text to the right of each place setting explains one way to get the apple, while a drawing to the left of each plate illustrates the method. The various ways to get the apple include schemes that are philosophical, magical, psychological, and linguistic among others and could be perceived as various conceptual modes of appropriation. The work could also be interpreted as a commentary on unfulfilled promise and the irony of human intellectual endeavors. Gallery 2 has been transformed into two rooms in a children's hospital by an installation called The Children's Hospital. In each room the sound of music and a story being told emanates from small model theaters adjacent to the bed, each of which tells a different fable.

Designated one of the world's 10 greatest living artists by ARTnews, Ilya Kabakov has been making installation art since 1984, becoming not only one of the medium's most important practitioners but also one of its most significant theoreticians and the leading figure of the Russian art movement of the 1980s known as "Moscow Conceptualism." Kabakov was born in Dnepropetrovsk, USSR in 1933 and lived in the Soviet Union until coming to the West in 1988. Officially an illustrator of children's books, he was one of the leaders of Moscow's unofficial underground art scene from the late 1950s on, and is widely recognized as one of the most important artists of our time.

Ilya and Emilia Kabakov: The Empty Museum will be on view at The Sculpture Center in Long Island City from January 11 until April 11, 2004. Forthcoming exhibitions include the Museu Serralves in Porto, Portugal; the Mori Art Museum in Tokyo, Japan; MAK Museum Vienna, Austria; National Museum of Contemporary Art, Athens, Greece; the Cleveland Museum of Contemporary Art, Cleveland, Ohio; Kunsthalle Bielefeld, Bielefeld, Germany and the Museum of the 21st Century, Rome, Italy.

作品清單

Gallery 1 (clockwise from left):

20 Ways to Get an Apple Listening to the Music of Mozart, 1997
watercolor, black ink, color pencil on paper
paper: 11 x 16 inches (28 x 41 cm)
framed: 18 11/16 x 23 1/2 inches (48 x 60 cm)
KAB-D276

The Apple, 2004
black ink, color pencils on paper
paper: 9 1/8 x 11 7/8 inches (23 x 30 cm)
framed: 16 7/8 x 19 1/2 inches (43 x 49 cm)
KAB-D286

20 Ways to Get an Apple Listening to the Music of Mozart, 1997
watercolor, black ink, color pencil on paper
paper: 11 x 14 1/2 inches (28 x 37 cm)
framed: 18 3/4 x 22 inches (48 x 56 cm)
KAB-D275

Ghost in the Morning, 2004
watercolor, black ink, color pencil on paper
paper: 12 x 17 1/8 inches (31 x 43 cm)
framed: 19 5/8 x 24 5/8 inches (50 x 63 cm)
KAB-D278

Ghost in the Morning, 2004
watercolor, black ink, color pencil on paper
paper: 12 x 17 1/8 inches (31 x 43 cm)
framed: 19 5/8 x 24 5/8 inches (50 x 63 cm)
KAB-D277

Ghost in the Morning, 2004
watercolor, black ink, color pencil on paper
paper: 12 x 17 1/8 inches (31 x 43 cm)
framed: 19 5/8 x 24 5/8 inches (50 x 63 cm)
KAB-D279

Ghost in the Morning, 2004
watercolor, black ink, color pencil on paper
paper: 12 x 17 1/8 inches (31 x 43 cm)
framed: 19 5/8 x 24 5/8 inches (50 x 63 cm)
KAB-D280

The Morning N1, 2004
black ink, color pencils on paper
paper: 9 7/8 x 14 1/8 inches (25 x 36 cm)
framed: 17 1/2 x 21 7/8 inches (44 x 56 cm)
KAB-D285

The Morning N2, 2004
black ink, color pencils on paper
paper: 9 7/8 x 14 1/8 inches (25 x 36 cm)
framed: 17 1/2 x 21 7/8 inches (44 x 56 cm)
KAB-D281

The Morning N3, 2004
black ink, color pencils on paper
paper: 9 7/8 x 14 1/8 inches (25 x 36 cm)
framed: 17 1/2 x 21 7/8 inches (44 x 56 cm)
KAB-D282

The Morning N4, 2004
black ink, color pencils on paper
paper: 9 7/8 x 14 1/8 inches (25 x 36 cm)
framed: 17 1/2 x 21 7/8 inches (44 x 56 cm)
KAB-D284

The Morning N5, 2004
black ink, color pencils on paper
paper: 9 7/8 x 14 1/8 inches (25 x 36 cm)
framed: 17 1/2 x 21 7/8 inches (44 x 56 cm)
KAB-D283

Center:

Before Supper, 1997
oil painting, table, 4 knives, 4 forks, 4 plates
40 x 60 x 30 1/2 inches (102 x 152 x 77 cm)
KAB-20

Gallery 2:

The Children's Hospital, 1998
installation of a reconstructed hospital room, with one wooden door, white curtain, one bed with linens, one bed-side table, 2 wooden chairs, one mechanical theater with sound, CD player, speakers, lights
dimensions variable

The Children's Hospital, 1998
installation of a reconstructed hospital room, with one wooden door, white curtain, one bed with linens, one bed-side table, 2 wooden chairs, one mechanical theater with sound, CD player, speakers, lights
dimensions variable

Main Gallery:

20 Ways to Get an Apple Listening to the Music of Mozart, 1997
installation with table, white tablecloth, white draperies, 20 plates, 20 forks and knives, 20 wooden chairs, 40 facsimile drawings, 1 apple on white plate, with music by Mozart
dimensions variable

In The Director's Office:

Untitled, 1995/2004
oil on canvas
54 1/2 x 35 inches (138 x 89 cm)
KAB-13

The Harvesting Apples 1930, 2001
enamel and oil on canvas and wood with electric light
63 x 86 x 7 inches (216 x 160 x 17 cm)
KAB-9

Untitled, 1995/2004
oil on canvas
54 1/2 x 35 inches (138 x 89 cm)
KAB-12