Skip to content
Marina Abramović, Artist Portrait with a Candle, 2012

Marina Abramović

Artist Portrait with a Candle, 2012

framed fine art pigment print

paper: 63 x 63 inches (160 x 160 cm)

framed: 64 1/8 x 64 1/8 x 2 3/4 inches (162.9 x 162.9 x 7 cm)

edition of 7 with 2 APs (#AP2/2) (#0/0)

(MA-245.B.AP2/2)

Julian Charrière, We Are All Astronauts, 2014/2022

Julian Charrière

We Are All Astronauts, 2014/2022

found globe, abraded with international mineral sandpaper, abraded

dust from globe‘s surface, wood and glass vitrine

93 x 36 x 30 inches (236.2 x 91.4 x 76.2 cm)

unique

(JCh-278)

Laurent Grasso, Untitled, 2019

Laurent Grasso

Untitled, 2019

neon installation (14 elements)

each element: 4 1/4 x 8 1/4 x 13/16 inches (10.8 x 21 x 2 cm)

(LG-N.19.1753)

John Guzman, Heart Burn, 2020

John Guzman

Heart Burn, 2020

oil on canvas

60 x 84 inches (152.4 x 213.4 cm)

(JGu-8)

Ilse D'Hollander, Untitled, 1995

Ilse D'Hollander

Untitled, 1995

oil on canvas

painting: 18 7/8 x 15 3/8 inches (48 x 39 cm)

framed: 20 x 16 3/8 x 1 3/4 inches (50.8 x 41.6 x 4.4 cm)

(IDH-P.076)

Callum Innes, Exposed Painting Sapphire Blue, 2022

Callum Innes

Exposed Painting Sapphire Blue, 2022

oil on Birch Ply

39 3/8 inches (100 cm) diameter

(CI-TP.40.22)

Idris Khan, Between the Curtain and the Glass, 2022

Idris Khan

Between the Curtain and the Glass, 2022

digital C-type print on aluminum

print: 52 11/16 x 115 1/4 x 1 3/16 inches (133.8 x 292.8 x 3 cm)

framed: 57 13/16 x 120 3/8 x 2 15/16 inches (146.8 x 305.8 x 7.5 cm)

edition of 7 with 2 APs (#3/7)

(IK-628.3)

Hugo McCloud, untitled, 2017

Hugo McCloud

untitled, 2017

aluminum foil, oil paint mounted on wood panel

76 1/4 x 63 1/2 x 2 inches (193.7 x 161.3 x 5.1 cm)

(HM-384)

Sam Moyer, This Year, 2019

Sam Moyer

This Year, 2019

stone, painted canvas mounted to MDF panel

49 x 35 x 1 1/2 inches (124.5 x 88.9 x 3.8 cm)

(SM-P.19.1218)

Loló Soldevilla, Untitled (Sin título), undated

Loló Soldevilla

Untitled (Sin título), undated

mixed media on masonite

artwork: 17 1/2 x 30 5/16 inches (44.5 x 77 cm)

framed: 19 1/4 x 32 x 1 5/8 inches (48.9 x 81.3 x 4.1 cm)

(LSol-48)

Frank Thiel, Untitled (NSA Field Station, Berlin, Teufelsberg #14), 2005

Frank Thiel

Untitled (NSA Field Station, Berlin, Teufelsberg #14), 2005

framed chromogenic print face mounted to Plexiglas

framed: 85 x 71 1/2 x 2 3/8 inches (216 x 181.5 x 6 cm)

edition of 5 with 2 APs (#1/5)

(FT-NSA14.L.1)

Murmúrios no meu vale, 2023, oil and oil stick on canvas

Murmúrios no meu vale, 2023

oil and oil stick on canvas

70 x 92 inches (177.8 x 233.7 cm)

(JTs-P.23.5649)

新聞稿

Sean Kelly is delighted to return to Zona Maco in Mexico City. Exemplifying the Gallery's commitment to championing important contemporary art, we will present a carefully curated selection of works, including sculpture, painting, and photography.

Our booth will feature an important large-scale photo work by the iconic Marina Abramović; a sculpture and photographs by Julian Charrière, whose practice is rooted in geology, biology, physics, history, and archaeology. Charrière’s oeuvre explores how human civilization, and the natural landscape are inextricably linked; a major new sculpture by Jose Dávila which explores the tension and balance between constructed and organic materials; a selection of Laurent Grasso’s Panoptes which allude to the mythological figure of the shepherd Argos Panoptes. The motif of the eye reflects a desire for omniscience that comes up against the opacity of a changing world; John Guzman’s new oil paintings focus on fragmentation of the body as a way to explore unfamiliar possibilities of the human form; Ilse D’Hollander’s paintings reveal an acute understanding of the nuances of composition and color. Her work is distinguished by its subtle tonalities, depicting variations in scale and surface that give her work its contemplative tranquility; made on plywood panels, Callum Innes’s new tondo paintings mark a dramatic departure from the artist’s rectangular format and invite a range of new interpretations, both formally and psychologically; a photo work by Idris Khan includes densely layered imagery that speaks to themes of history, cumulative experience, and the metaphysical collapse of time into single moments; new paintings by Sam Moyer continue her investigation of abstraction through the languages of painting and sculpture; a work by Loló Soldevilla, the most significant woman artist to be prominently associated with the development of geometric abstraction in Cuba; Frank Thiel’s photographs of spaces in Berlin reflect its recent turbulent social and political history; and Janaina Tschäpe’s dynamic yet, nuanced canvases which evoke associations with nature, as her atmospheric images subtly shift between representation and abstraction.

For all inquiries, please email info@skny.com

For more information on the fair, including hours and ticketing information, please visit zsonamaco.com