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Sean Kelly is delighted to return to The Armory Show at the Javits Center in Hudson Yards. Our booth will feature a dynamic selection of painting, sculpture, photography, and works on paper by the gallery’s international roster of artists including Marina Abramović, Anthony Akinbola, James Casebere, Julian Charrière, Jose Dávila, Awol Erizku, John Guzman, Candida Höfer, Callum Innes, Idris Khan, Landon Metz, Mariko Mori, Sam Moyer, José Rosabal, Loló Soldevilla, Janaina Tschäpe and Wu Chi-Tsung.

For more information on the artists and works presented please visit skny.com For all inquiries, please contact the gallery at 212.239.1181 or info@skny.com

For more information on the fair, including hours and ticketing information, please visit thearmoryshow.com

The Armory Show 2022 - Booth 120 - 藝術博覽會 - Sean Kelly Gallery

For the 2022 Armory Show Focus section, we are presenting an installation of three new large plastic paintings by Hugo McCloud which engage with issues concerning geopolitics, migration, the value of labor, and concern for the growing disparity in social and racial economics. The booth will also feature four still-lifes, which, speak to the passage of time and the changing of seasons. Produced using only single-use plastic bags, McCloud’s paintings simultaneously reflect his interest in global issues and concern for an economy and environment literally awash in an ocean of plastic and finding beauty in the overlooked. His awareness of the contradictions implicit in global economic inequality, pronounced internationally and in the United States, greatly informs his practice as an artist.

For additional information on Hugo McCloud, please visit skny.com

For inquiries, please email Lauren Kelly at Lauren@skny.com

Image caption: Hugo McCloud, flores de mayo 2, 2022, single use plastic mounted on panel, framed: 83 3/4 x 61 3/4 inches (212.7 x 156.8 cm) © Hugo McCloud Courtesy: Sean Kelly, New York

The Armory Show 2022 - Booth 120 - 藝術博覽會 - Sean Kelly Gallery

Sean Kelly presents a recent sculpture by Jose Dávila for The Armory Off-Site at the US Open. Throughout his oeuvre, Dávila consistently contrasts themes of volume and transparency, mass and lightness, and geometric and organic forms, through his use of natural and industrial materials. For Untitled, 2021, Dávila references the history of the readymade, juxtaposing a found object—a natural boulder—and positioning it between two man-made blocks of commercially produced concrete. Held in place simply by tension, the work relies on a delicate balance of gravity to remain stable. Further drawing attention to this moment of compression, Dávila painted the boulder a vivid blue, differentiating it and calling attention to the juncture between the natural, readymade stone and the industrial, concrete components.

For information on Jose Dávila, please visit skny.com

For inquiries, please email Lauren Kelly at Lauren@skny.com

For additional information on The Armory Off-Site please visit thearmoryshow.com

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Sean Kelly at The Armory Show 2022, September 9-11, Javits Center, Booth 120, Photography: Adam Reich, Courtesy: Sean Kelly

Hugo McCloud presented by Sean Kelly for Focus at The Armory Show 2022, September 9-11, Javits Center, Focus Booth F3, Photography: Adam Reich, Courtesy: Sean Kelly

Hugo McCloud presented by Sean Kelly for Focus at The Armory Show 2022, September 9-11, Javits Center, Focus Booth F3, Photography: Adam Reich, Courtesy: Sean Kelly

Hugo McCloud presented by Sean Kelly for Focus at The Armory Show 2022, September 9-11, Javits Center, Focus Booth F3, Photography: Adam Reich, Courtesy: Sean Kelly

Hugo McCloud presented by Sean Kelly for Focus at The Armory Show 2022, September 9-11, Javits Center, Focus Booth F3, Photography: Adam Reich, Courtesy: Sean Kelly

Hugo McCloud presented by Sean Kelly for Focus at The Armory Show 2022, September 9-11, Javits Center, Focus Booth F3, Photography: Adam Reich, Courtesy: Sean Kelly

Hugo McCloud presented by Sean Kelly for Focus at The Armory Show 2022, September 9-11, Javits Center, Focus Booth F3, Photography: Adam Reich, Courtesy: Sean Kelly

Anthony Akinbola, Moby Dick, 2022 durags on wood panel 48 x 96 inches (121.9 x 243.8 cm)

Anthony Akinbola

Moby Dick, 2022

durags on wood panel

48 x 96 inches (121.9 x 243.8 cm)

Candida Höfer Uffizi Firenze III 2008 Signed, titled and numbered on label, verso C-print paper: 70 7/8 x 60 1/4 inches (180 x 153 cm) framed: 72 9/16 x 61 15/16 x 2 inches (184.3 x 157.3 x 5.1 cm) edition of 6 with 3 APs (#1/6)

Candida Höfer

Uffizi Firenze III, 2008

Signed, titled and numbered on label, verso

C-print

Paper: 70 7/8 x 60 1/4 inches (180 x 153 cm)
Framed: 72 9/16 x 61 15/16 x 2 inches (184.3 x 157.3 x 5.1 cm)

Edition of 6 with 3 APs (#1/6)

Callum Innes Exposed Painting Quinacridone Gold, 2021 signed by the artist, verso with accompanying signed certificate of authenticity oil on linen 70 7/8 x 68 7/8 inches (180 x 175 cm)

Callum Innes

Exposed Painting Quinacridone Gold, 2021

Signed by the artist, verso

Oil on linen

70 7/8 x 68 7/8 inches (180 x 175 cm)

James Casebere Cabana, 2017 signed by the artist on label, verso framed archival pigment print mounted to dibond paper: 66 3/4 x 46 5/8 inches (169.5 x 118.4 cm) framed: 69 7/16 x 49 5/16 x 2 1/4 inches (176.4 x 125.3 x 5.7 cm) edition of 5 with 2 APs (#1/5)

James Casebere

Cabana, 2017

Signed by the artist on label, verso

Framed archival pigment print mounted to dibond

Paper: 66 3/4 x 46 5/8 inches (169.5 x 118.4 cm)
Framed: 69 7/16 x 49 5/16 x 2 1/4 inches (176.4 x 125.3 x 5.7 cm)

Edition of 5 with 2 APs (#1/5)

Julian Charrière We Are All Astronauts, 2014/2022 the work is accompanied by a signed certificate of authenticity found globe, abraded with international mineral sandpaper, abraded dust from globe‘s surface, wood and glass vitrine 93 x 36 x 30 inches (236.2 x 91.4 x 76.2 cm)

Julian Charrière

We Are All Astronauts, 2014/2022

Found globe, abraded with international mineral sandpaper, abraded dust from globe‘s surface, wood and glass vitrine

93 x 36 x 30 inches (236.2 x 91.4 x 76.2 cm)

The work is accompanied by a signed certificate of authenticity

Circular Discourse, 2015 signed by artist on label, verso with accompanying signed certificate of authenticity set of nine archival pigment prints overall: 69 1/4 x 90 1/2 inches (176 x 230 cm) edition of 4 with 1 AP (#1/4) (#0/0)

Jose Dávila

Circular Discourse, 2015

signed by artist on label, verso

Set of nine archival pigment prints

Overall: 69 1/4 x 90 1/2 inches (176 x 230 cm)

Edition of 4 with 1 AP (#1/4) (#0/0)

Accompanied by a signed certificate of authenticity

Janaina Tschäpe In Haze, 2022 signed and dated by the artist, verso oil and oil stick on canvas 92 x 70 inches (233.7 x 177.8 cm)

Janaina Tschäpe

In Haze, 2022

Signed and dated by the artist, verso

Oil and oil stick on canvas

92 x 70 inches (233.7 x 177.8 cm)

Sin título, sin año the work is accompanied by a certificate of authenticity signed by Martha Flora Carranza Barba black and white wooden elements on wood panel 19 11/16 x 29 3/4 inches (50 x 75.5 cm)

Sin título, sin año

The work is accompanied by a certificate of authenticity signed by Martha Flora Carranza Barba

Black and white wooden elements on wood panel

19 11/16 x 29 3/4 inches (50 x 75.5 cm)

Mariko Mori Genesis III, 2022 the work is accompanied by a signed certificate of authenticity UV cured pigment, Dibond and aluminum diameter: 63 1/2 inches (161.3 cm) depth: 3 inches (7.6 cm) edition of 5 with 2 APs (#2/5)

Mariko Mori

Genesis III, 2022

UV cured pigment, Dibond and aluminum

diameter: 63 1/2 inches (161.3 cm)
depth: 3 inches (7.6 cm)

edition of 5 with 2 APs (#2/5)

The work is accompanied by a signed certificate of authenticity