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Sean Kelly at Frieze New York 2019, Stand A9

Sean Kelly at Frieze New York 2019, Stand A9
May 2 - 5, 2019
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

 

Sean Kelly at Frieze New York 2019, Stand A9

Sean Kelly at Frieze New York 2019, Stand A9
May 2 - 5, 2019
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

 

Sean Kelly at Frieze New York 2019, Stand A9

Sean Kelly at Frieze New York 2019, Stand A9
May 2 - 5, 2019
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

 

Sean Kelly at Frieze New York 2019, Stand A9

Sean Kelly at Frieze New York 2019, Stand A9
May 2 - 5, 2019
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

 

Sean Kelly at Frieze New York 2019, Stand A9

Sean Kelly at Frieze New York 2019, Stand A9
May 2 - 5, 2019
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

 

Sean Kelly at Frieze New York 2019, Stand A9

Sean Kelly at Frieze New York 2019, Stand A9
May 2 - 5, 2019
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

 

Sean Kelly at Frieze New York 2019, Stand A9

Sean Kelly at Frieze New York 2019, Stand A9
May 2 - 5, 2019
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

 

JAMES CASEBERE, Blue House on Water #2, 2018

JAMES CASEBERE

Blue House on Water #2, 2018

framed archival pigment print mounted to dibond

paper: 60 1/2 x 46 3/4 inches (153.7 x 118.7 cm)

framed: 63 3/8 x 49 5/8 x 2 1/4 inches (161 x 126 x 5.7 cm)

edition of 5 with 2 APs (#2/5)

signed by the artist on label, verso

JC-274.2

Ilse D'Hollander, Untitled, 1996

Ilse D'Hollander

Untitled, 1996

oil on canvas

painting: 26 3/4 x 18 7/8 inches (67.9 x 47.9 cm)

framed: 27 7/8 x 19 7/8 x 1 3/4 inches (70.8 x 50.5 x 4.4 cm)

work is accompanied by a certificate of authenticity signed by Ric Urmel, Executor of the Estate

IDH-P.301

LANDON METZ, Untitled, 2019

LANDON METZ

Untitled, 2019

dye on canvas in two parts

each panel: 50 x 40 inches (127 x 101.6 cm)

overall: 50 x 80 inches (127 x 203.2 cm)

signed by the artist, verso

LMe-P-19-014AB

KRIS MARTIN, You Angel You, 2019

KRIS MARTIN

You Angel You, 2019

wood, rubber and metal

37 9/16 x 7 1/2 x 7 11/16 inches (95.4 x 19.1 x 19.5 cm)

one of two unique versions

the work is accompanied by a signed certificate of authenticity

KM-S.19.20

IDRIS KHAN, Infinites - Between, 2019

IDRIS KHAN

Infinites - Between, 2019

digital C print

image/paper: 66 5/8 x 50 inches (169.2 x 127 cm)

framed: 74 1/8 x 57 1/2 x 2 3/4 inches (188.3 x 146.1 x 7 cm)

edition of 7 with 2 APs (#tbc2/7)

IK-402.tbc2

CANDIDA HÖFER, Théâtre de Montansier Versailles IV 2007

CANDIDA HÖFER

Théâtre de Montansier Versailles IV 2007

C-print

paper: 70 7/8 x 82 11/16 inches (180 x 210 cm)

framed: 72 7/16 x 84 1/4 inches (184 x 214 cm)

edition of 6 with 3 APs (#6/6)

signed, titled and numbered on label, verso

CH-7236.6

ANTONY GORMLEY, ROD, 2016

ANTONY GORMLEY

ROD, 2016

cast iron

75 5/8 x 21 1/8 x 13 9/16 inches (192.1 x 53.7 x 34.5 cm)

AG-3516

新聞稿

Frieze New York, Stand A9
Randall's Island Park, New York
May 2-5, 2019
Preview Days, May 1 & 2

Sean Kelly is delighted to participate in the eighth edition of Frieze New York on Stand A9. We will feature a compelling presentation of work by James Casebere, Julian Charrière, Ilse D’Hollander, Jose Dávila, Antony Gormley, Laurent Grasso, Candida Höfer, Callum Innes, Idris Khan, Kris Martin, Hugo McCloud, Landon Metz, Sam Moyer, Shahzia Sikander, Alec Soth and Janaina Tschäpe. Spanning photography, painting and sculpture the selected works demonstrate the gallery’s intellectually driven program and highly regarded roster of artists.

For additional information please visit skny.com

For sales inquiries please contact info@skny.com or 212.239.1181

 

Jose Dávila 

Frieze Sculpture
Rockefeller Center, New York
April 25 - June 28, 2019

Jose Dávila’s installation for the inaugural Frieze Sculpture in New York is the largest sculpture in his series titled Joint Effort. Often described as “totems”, marking early civilizations’ efforts to materialize a tangible link between Earth and Heaven, here Dávila operates in a similarly symbolic manner. Joint Effort merges natural stone, one of the most basic and primitive construction elements, with concrete volumes—a highly malleable modern material that can conform to any kind of shape—to achieve a functional articulation of a constructive hybrid. For Dávila, this contrast condenses the essence of construction and its constant transformation throughout history. Displayed at Rockefeller Center among the urban architecture of New York City, these associations become even more relevant as Joint Effort resonates with the verticality of the city’s skyline.

For additional information on Jose Dávila please visit skny.com

For all other inquiries please contact Lauren Kelly at the gallery 212.239.1181 or Lauren@skny.com

For all media inquiries please contact Adair Lentini at the gallery 212.239.1181 or Adair@skny.com

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