
Jose Dávila
Untitled, 2024
the work is accompanied by a signed certificate of authenticity
cardboard, vinyl paint, and bottle caps
143 5/16 x 21 1/4 x 21 7/16 inches (364 x 54 x 54.4 cm)
unique
(JDa-24.95)
Sean Kelly is delighted to return to Frieze London to present a dynamic booth bringing together a powerful selection of paintings, sculptures, photography, and works on paper. The booth highlights artists who push the boundaries of their mediums, while employing rich material experimentation to explore themes of transformation, space, and the reimagining of established art historical narratives.
This year's booth prominently features Jose Dávila and Awol Erizku's wall-mounted sculptures which riff on Donald Judd's iconic Stacks, whilst delivering contemporary discourses on a wide-ranging series of topics from art history to cultural consumption.
The booth features work by Marina Abramović, Julian Charrière, Laurent Grasso, Donna Huanca, Hugo McCloud, Sam Moyer, Brian Rochefort, Janaina Tschäpe, and Kehinde Wiley. After her 1988 Great Wall of China walk, Marina Abramović began creating Transitory Objects to invite public participation with her work. Her Shoes for Departure, made of quartz crystal, encourage mental rather than physical movement. Abramović’s solo exhibition on view at the Moco Museum London features sculptures from this series. Julian Charrière's photograph, from his film Controlled Burn, captures the interior of a cooling tower engulfed in exploding fireworks highlighting societies dependence on fossil fuels. A painting from Laurent Grasso’s Studies into the Past series pays homage to the impressionist Claude Monet in its depiction of London’s Houses of Parliament while referencing his film Soleil Double. The legacy of Monet's London period, currently on view at The Courtauld Institute of Art, resonates deeply with Grasso’s exploration of history, light, and time. Donna Huanca's painting integrates images from her performances, overlaying them with oil pigments and natural materials to address the fleeting essence of performance through the permanent medium of painting. Hugo McCloud's geometric tar-stamped painting combines unconventional industrial materials with woodblock printing processes in vibrant colors. A new work from Sam Moyer’s Clippings series emphasizes the dynamic possibilities of combining recycled stone and painted canvas in a unique and distinctive manner. A new painting by Kehinde Wiley continues to push the boundaries of traditional portraiture by blending classical art historical techniques with contemporary representations of race and identity.
Janina Tschäpe and Brian Rochefort currently have exhibitions on view at our galleries in New York and Los Angeles. Rochefort’s otherworldly sculptures, characterized by rich textural patterns and vivid tonal shifts are influenced by his extensive explorations of remote and secluded landscapes. Similarly, Tschäpe's abstract paintings and works on paper evoke imagery of the natural world, evincing notions of growth, transformation, and metamorphosis.
For all media inquiries, please contact Adair Lentini at Adair@skny.com
For all other inquires, please contact the gallery at 212.239.1181 or info@skny.com
For more information on the fair, including hours and ticketing information, please visit frieze.com
Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles
Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles
Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles
Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles
Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles
Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles
Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles
Sean Kelly at Frieze London 2024, October 9-13, Regent’s Park, Booth 27, Photo: Sebastiano Pellion di Persano, Courtesy: Sean Kelly, New York/Los Angeles
Jose Dávila
Untitled, 2024
the work is accompanied by a signed certificate of authenticity
cardboard, vinyl paint, and bottle caps
143 5/16 x 21 1/4 x 21 7/16 inches (364 x 54 x 54.4 cm)
unique
(JDa-24.95)
Awol Erizku
Oh, what a feeling, fuck it, I want a Billion, 2018
the work is accompanied by a signed certificate of authenticity
7 regulation size basketball rims with painted stainless steel nets and a Spalding NBA basketball
148 1/8 x 18 7/8 x 24 3/8 inches (376.2 x 47.9 x 61.9 cm)
edition of 1 with 1 AP (#1/1)
(AE-145.1)
Laurent Grasso
Studies into the Past, 2022
the work is accompanied by a signed certificate of authenticity
oil on canvas
painting: 25 9/16 x 39 3/8 x 1 inches (65 x 100 x 2.5 cm)
framed: 27 9/16 x 41 5/16 x 2 inches (70 x 105 x 5 cm)
(LG-P.22.4011)
Hugo McCloud
Boxed in, 2024
signed by artist on label, verso
aluminum foil, aluminum coating, and oil paint on tar paper
78 x 108 x 2 3/8 inches (198.1 x 274.3 x 6 cm)
(HM-477)
Hugo McCloud
Boxed in, 2024
signed by artist on label, verso
aluminum foil, aluminum coating, and oil paint on tar paper
78 x 108 x 2 3/8 inches (198.1 x 274.3 x 6 cm)
(HM-477)
Janaina Tschäpe
purple perfume, 2024
signed by artist, verso
oil and oil stick on linen
70 x 70 x 1 1/2 inches (177.8 x 177.8 x 3.8 cm)
(JTs-P.24.3072)
Sam Moyer
Clipping 16, 2024
the work is accompanied by a signed certificate of authenticity
marble, acrylic on plaster-coated canvas mounted to MDF
30 1/4 x 24 1/2 x 1 inches (76.8 x 62.2 x 2.5 cm)
(SM-P.24.1651)
Brian Rochefort
Evening Dew, 2024
the work is accompanied by a signed certificate of authenticity
ceramic, glaze, glass fragments
24 x 22 x 21 inches (61 x 55.9 x 53.3 cm)
(BRoc-6)
Donna Huanca
RAYOS Y VENAS, 2024
signed by artist, verso
oil, sand on digital print on canvas
70 7/8 x 52 inches (180 x 132 cm)
(DHu-18667)
Marina Abramović
Shoes for Departure, 1991/2017
the work is accompanied by a signed certificate of authenticity
quartz crystal
8 1/4 x 20 1/2 x 9 1/2 inches (21 x 52 x 24 cm)
8 5/8 x 21 1/4 x 10 inches (22 x 54 x 25 cm)
(MA-291)
Julian Charrière
Controlled Burn | Cooling Tower B.8, 2023
the work is accompanied by a signed certificate of authenticity
archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminum Dibond, framed (aluminum), ArtGlass anti-reflective glass
image/paper: 86 5/8 x 59 1/16 inches (220 x 150 cm)
framed: 87 3/4 x 60 3/16 x 1 9/16 inches (222.8 x 152.8 x 4 cm)
edition of 5 with 2 APs (#3/5)
(JCh-455.3)