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JULIAN CHARRIÈRE, An Invitation to Disappear - Sanggau, 2018

JULIAN CHARRIÈRE

An Invitation to Disappear - Sanggau, 2018

archival pigment print on Hahnemühle Photo Rag, mounted on aluminum dibond,

framed, Mirogard anti-reflective glass

paper: 59 1/16 x 73 13/16 inches (150 x 187.5 cm)

framed: 60 9/16 x 75 5/16 x 2 inches (153.8 x 191.3 x 5 cm)

edition of 3 with 1 AP

JCh-287.1

MARINA ABRAMOVIĆ The Levitation of Saint Therese, 2009

MARINA ABRAMOVIĆ
The Levitation of Saint Therese, 2009
single flatscreen video installation, color, no sound, 11:21 loop
edition of 9 with 2 APs 
MA-230

JAMES CASEBERE Red/Orange Solo Pavilion, 2018

JAMES CASEBERE
Red/Orange Solo Pavilion, 2018
framed archival pigment print mounted to dibond
paper: 66 3/4 x 46 inches (169.5 x 116.8 cm)
framed: 69 5/8 x 48 7/8 x 2 1/4 inches (176.8 x 124.1 x 5.7 cm)
edition of 5 with 2 APs 
JC-272

ANTONY GORMLEY SET IV, 2018

ANTONY GORMLEY
SET IV, 2018
10 mm square section mild steel bar
76 3/4 x 20 1/2 x 11 13/16 inches (195 x 52 x 30 cm)
edition of 5 plus 1 AP 
AG-3927

CALLUM INNES Exposed Painting Phthalocyanine Blue, 2018

CALLUM INNES
Exposed Painting Phthalocyanine Blue, 2018
oil on linen
76 3/4 x 74 13/16 inches (195 x 190 cm)
CI-78.18

SAM MOYER Stoned Magnolia, 2018

SAM MOYER
Stoned Magnolia, 2018
marble, hand painted canvas mounted to MDF panel
90 x 59 3/4 x 1 1/4 inches (228.6 x 151.8 x 3.2 cm)
SM-P.18.1124

Shahzia Sikander The Perennial Gaze, 2018

Shahzia Sikander
The Perennial Gaze, 2018
glass mosaic mounted on plywood in brass frame
70 1/4 x 43 1/4 inches (178.4 x 109.9 cm)
edition of 4 with 1 AP 
ShS-S.18.041

ALEC SOTH Ute's Books, Odessa, 2018

ALEC SOTH
Ute's Books, Odessa, 2018
archival pigment print
image/paper: 50 x 40 inches (127 x 101.6 cm)
framed: 55 x 45 x 2 9/16 inches (139.7 x 114.3 x 6.5 cm)
AS-HF.18.89

Janaina Tschäpe Balancing into the Deep, 2018

Janaina Tschäpe
Balancing into the Deep, 2018
casein and watercolor pencil on canvas
93 1/2 x 81 3/4 inches (237.5 x 207.6 cm)
signed and dated by the artist, verso
JTs-P.18.4446

JAMES WHITE Double Glass, 2018

JAMES WHITE
Double Glass, 2018
oil and varnish on acrylic faced panel in perspex box frame
54 15/16 x 66 3/4 x 2 3/4 inches (139.5 x 169.5 x 7 cm)
JWh-53

新聞稿

Art Basel Miami Beach

December 6 - December 9, 2018

Booth D14

Sean Kelly is delighted to return to Art Basel Miami Beach 2018 for the 17th consecutive year since the fair’s inception. Our booth will feature a dynamic, carefully curated presentation of new works by the gallery’s artists and an immersive experience as part of our Collect Wisely campaign.

Featured artists include Antony Gormley, whose new sculptures continue to push his exploration of the human body and its relation to space, both internal and external; new work by Sam Moyer which continues her abstraction of the languages of painting and sculpture, and addresses formal and theoretical issues regarding the construct of painting; a new series of exposed paintings by Callum Innes, which highlight the contrast between additive and subtractive processes; a selection of paintings and watercolors by Janaina Tschäpe whose distinctive language of abstraction suggests growth, transition and metamorphosis; and photographs of imagined and constructed “Pavilions for the Future” by James Casebere, a new hybrid form of public accommodations by the sea. Also included on the booth are new works by artists Marina Abramović, Julian Charrière, Jose Dávila, Laurent Grasso, Candida Höfer, Ilse D’Hollander, Idris Khan, Hugo McCloud, Landon Metz, Alec Soth, James White, and Kehinde Wiley.

The Collect Wisely Experience will focus on one of the core elements of the campaign, connoisseurship. Encouraging visitors to slow down and pay closer attention to art, the installation will create a space for quiet reflection in the midst of the busy fair. Visitors will be invited to sit in an iconic REPUBLIC OF Fritz Hansen Egg Chair, designed by Arne Jacobsen, and reflect on a single artwork by Callum Innes, Idris Khan, Hugo McCloud, Shahzia Sikander, and Janaina Tschäpe, which will change each day. To become fully immersed in the experience, the viewer will don a pair of Master & Dynamic noise isolating headphones and listen to the voice of each artist introducing their work, followed by a period of silence encouraging the viewer to contemplate the piece before them.

 

Follow us on Instagram @SeanKellyNY and join the conversation #CollectWisely

Support for Collect Wisely is provided by REPUBLIC OF Fritz Hansen and Master & Dynamic.

 

The following panel discussion will take place concurrent to the fair:

 

The Passion and Purpose of Collecting

Thursday, December 6, 10 - 11am

UBS Lounge, Art Basel Miami Beach Convention Center

Moderated by Jan Dalley, arts editor of the Financial Times. With panelists Mary Rozell, Head of the UBS Art Collection and Sean Kelly, Founder of Sean Kelly Gallery and host of the Collect Wisely podcast