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Art Basel Hong Kong 2019

Booth 1B17

March 29 – 31, 2019

展覽現場

幻燈片縮圖

Sean Kelly at Art Basel Hong Kong 2019

Sean Kelly at Art Basel Hong Kong 2019
March 29 - 31, 2019, Booth 1B17
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

Sean Kelly at Art Basel Hong Kong 2019

Sean Kelly at Art Basel Hong Kong 2019
March 29 - 31, 2019, Booth 1B17
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

Sean Kelly at Art Basel Hong Kong 2019

Sean Kelly at Art Basel Hong Kong 2019
March 29 - 31, 2019, Booth 1B17
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

Sean Kelly at Art Basel Hong Kong 2019

Sean Kelly at Art Basel Hong Kong 2019
March 29 - 31, 2019, Booth 1B17
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

Sean Kelly at Art Basel Hong Kong 2019

Sean Kelly at Art Basel Hong Kong 2019
March 29 - 31, 2019, Booth 1B17
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

Sean Kelly at Art Basel Hong Kong 2019

Sean Kelly at Art Basel Hong Kong 2019
March 29 - 31, 2019, Booth 1B17
Photography: Sebastiano Pellion di Persano
Courtesy: Sean Kelly, New York

作品精選

幻燈片縮圖

MARIKO MORI, Higher Being IX, 2014

MARIKO MORI

Higher Being IX, 2014

Fujiflex, lucite frame

diameter: 48 inches (121.9 cm)

depth: 3 inches (7.6 cm)

edition of 6 with 2 APs (#5/6)

the work is accompanied by a signed certificate of authenticity

MMo-60.5

HUGO MCCLOUD, interstice, 2018

HUGO MCCLOUD

interstice, 2018

patina, oil stick, solder on solid bronze sheet, mounted on aluminum frame

79 x 66 1/2 inches (200.7 x 168.9 cm)

signed by the artist, verso

HM-221

CALLUM INNES, Untitled Lamp Black / Crimson Lake No. 27, 2018

CALLUM INNES

Untitled Lamp Black / Crimson Lake No. 27, 2018

oil on linen

70 7/8 x 68 7/8 inches (180 x 175 cm)

signed by the artist, verso with accompanying signed certificate of authenticity

CI-72.18

IDRIS KHAN, Below The Line, 2018

IDRIS KHAN

Below The Line, 2018

blue ink, stamped glass, aluminum

glass: 32 5/8 x 30 3/8 x 3 1/2 inches (83 x 77.2 x 9 cm)

unique

signed by the artist, verso

IK-330

JULIAN CHARRIÈRE, Enyu I - Terminal Beach, 2016

JULIAN CHARRIÈRE

Enyu I - Terminal Beach, 2016

large format black and white photograph, double-exposed through thermonuclear strata, archival pigment print on Hahnemühle Photo Rag Baryta, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass

paper: 47 1/4 x 59 1/16 inches (120 x 150 cm)

framed: 48 3/8 x 60 3/16 x 1 5/8 inches (122.8 x 152.8 x 4.2 cm)

edition of 3 with 1 AP (#1/3)

the work is accompanied by a signed certificate of authenticity

JCh-294.1

JOSE DAVILA, Fundamental Concern I, 2018

JOSE DAVILA

Fundamental Concern I, 2018

San Andrés stone volumes, concrete board volume, plaster, volcanic rock and ratchet strap

84 5/8 x 22 13/16 x 18 1/8 inches (215 x 58 x 46 cm)

the work is accompanied by a signed certificate of authenticity

JDa-18.87

JOSE DAVILA, Untitled (Peacock), 2018

JOSE DAVILA

Untitled (Peacock), 2018

archival pigment print

paper: 57 1/2 x 71 1/2 inches (146.1 x 181.6 cm)

framed: 59 1/2 x 73 1/2 x 3 1/8 inches (151.1 x 186.7 x 7.9 cm)

edition of 4 with 1 AP (#1/4)

signed by artist on label, verso with accompanying signed certificate of authenticity

JDa-18.224.1

JOSE DAVILA, Homage to the Square, 2019

JOSE DAVILA

Homage to the Square, 2019

polished stainless steel and epoxy paint

35 7/16 x 35 7/16 x 2 inches (90 x 90 x 5 cm)

unique

the work is accompanied by a signed certificate of authenticity

JDa-19.61

LIU WEI, 180 Faces, 2017-2018

LIU WEI

180 Faces, 2017-2018

10 framed paintings

dimensions variable

signed and dated by the artist, verso

LIU-09a-j

LANDON METZ, Untitled, 2019

LANDON METZ

Untitled, 2019

dye on canvas in two parts

each panel: 40 x 32 inches (101.6 x 81.3 cm)

overall: 40 x 64 inches (101.6 x 162.6 cm)

signed and dated by the artist, verso

LMe-P-19-012AB

MARINA ABRAMOVIC, Standing with Skeleton, 2008/2016

MARINA ABRAMOVIC

Standing with Skeleton, 2008/2016

color chromogenic print

paper: 80 x 71 inches (203.2 x 180.3 cm)

framed: 81 1/4 x 72 1/4 inches (206.4 x 183.5 cm)

edition of 9 with 2 APs (#4/9)

the work is accompanied by a signed certificate of authenticity

MA-289.4

Shahzia Sikander, Homage to Adrienne Rich, who said the connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet Series, 1, 2019

Shahzia Sikander

Homage to Adrienne Rich, who said the connections between and among women are the most feared, the most problematic, and the most potentially transforming force on the planet Series, 1, 2019

ink and gold leaf on paper

paper: 68 1/8 x 60 3/16 inches (173 x 152.9 cm)

framed: 73 3/8 x 65 7/16 x 2 1/8 inches (186.4 x 166.2 x 5.4 cm)

signed by the artist, verso

ShS-WP.19.043

TEHCHING HSIEH, Jump Piece, 1973/2017

TEHCHING HSIEH

Jump Piece, 1973/2017

framed archival pigment print mounted to 4 ply museum board

paper: 64 1/8 x 17 5/8 inches (162.9 x 44.8 cm)

framed: 65 3/8 x 19 5/8 x 2 inches (166.1 x 49.8 x 5.1 cm)

edition of 25 with 5 APs (#9/25)

signed by artist on label, verso

TEH-12.9

新聞稿

Art Basel Hong Kong
Booth 1B17
March 29 – 31, 2019

Sean Kelly is delighted to return to Art Basel Hong Kong for the ninth consecutive year, where we will present a carefully curated, dynamic presentation of photography, painting, sculpture and works on paper by a selection of gallery artists. Featuring work by gallery artists including, Marina Abramović, Julian Charrière, Jose Dávila, Antony Gormley, Rebecca Horn, Tehching Hsieh, Callum Innes, Idris Khan, Hugo McCloud, Landon Metz, Mariko Mori, Sam Moyer, Shahzia Sikander, Janaina Tschäpe, Liu Wei, and Sun Xun, our booth will reflect the rigor and aesthetic quality that the gallery represents in the international contemporary art community

Jose Dávila

Art Basel Encounters
Jose Dávila, Homage to the Square, 2019
Hong Kong Convention and Exhibition Centre

For Encounters, we will present a dynamic installation of sixteen suspended kinetic mobile sculptures by Jose Dávila as a single installation which continues the artist’s ongoing series entitled Homage to the Square. The multicolored sculptures will hang overhead at varying heights, enabling visitors to walk under and among the gently moving objects. Homage to the Square reflects on the legacy and influence of Bauhaus artist, Josef Albers and his renowned theories on the perception and interaction of colour through a mathematically determined format of squares. To celebrate the 100th anniversary of the Bauhaus school founded in Weimer, Germany, Dávila brings Albers work to life as he animates the square into a three-dimensional object that is constantly in motion.

Julian Charrière
Art Basel Hong Kong - Short Film Program ‘With or Without People’ Hong Kong Convention and Exhibition Centre | Room N101A
Thursday, March 28, 4 - 5pm

Julian Charrière, Ever Since We Crawled Out, 2018

The five films in 'With or Without People' explore some of the most pressing issues in contemporary times. Julian Charrière appropriates found footage of falling trees to construct a melancholic relationship between humanity and the world.