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Sean Kelly at ADAA: The Art Show 2022, Solo Presentation: Wu Chi-Tsung, November 3 – 6, 2022, Booth A10, Park Avenue Armory, Photo: JSP Art Photography, Courtesy: Sean Kelly

Sean Kelly at ADAA: The Art Show 2022, Solo Presentation: Wu Chi-Tsung, November 3 – 6, 2022, Booth A10, Park Avenue Armory, Photo: JSP Art Photography, Courtesy: Sean Kelly

Sean Kelly at ADAA: The Art Show 2022, Solo Presentation: Wu Chi-Tsung, November 3 – 6, 2022, Booth A10, Park Avenue Armory, Photo: JSP Art Photography, Courtesy: Sean Kelly

Sean Kelly at ADAA: The Art Show 2022, Solo Presentation: Wu Chi-Tsung, November 3 – 6, 2022, Booth A10, Park Avenue Armory, Photo: JSP Art Photography, Courtesy: Sean Kelly

Sean Kelly at ADAA: The Art Show 2022, Solo Presentation: Wu Chi-Tsung, November 3 – 6, 2022, Booth A10, Park Avenue Armory, Photo: JSP Art Photography, Courtesy: Sean Kelly

Sean Kelly at ADAA: The Art Show 2022, Solo Presentation: Wu Chi-Tsung, November 3 – 6, 2022, Booth A10, Park Avenue Armory, Photo: JSP Art Photography, Courtesy: Sean Kelly

Sean Kelly at ADAA: The Art Show 2022, Solo Presentation: Wu Chi-Tsung, November 3 – 6, 2022, Booth A10, Park Avenue Armory, Photo: JSP Art Photography, Courtesy: Sean Kelly

Sean Kelly at ADAA: The Art Show 2022, Solo Presentation: Wu Chi-Tsung, November 3 – 6, 2022, Booth A10, Park Avenue Armory, Photo: JSP Art Photography, Courtesy: Sean Kelly

Wu Chi-Tsung Cyano-Collage 150, 2022 signed and dated by the artist, verso cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board 57 1/2 x 116 15/16 inches (146 x 297 cm) (WCT-63)

Wu Chi-Tsung

Cyano-Collage 150, 2022

signed and dated by the artist, verso

cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board

57 1/2 x 116 15/16 inches (146 x 297 cm)

(WCT-63)

Wu Chi-Tsung Cyano-Collage 147, 2022 signed and dated by the artist, verso cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on brass board 47 1/4 x 47 1/4 inches (120 x 120 cm) (WCT-60)

Wu Chi-Tsung

Cyano-Collage 147, 2022

signed and dated by the artist, verso

cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on brass board

47 1/4 x 47 1/4 inches (120 x 120 cm)

(WCT-60)

Wu Chi-Tsung Cyano-Collage 148, 2022 signed and dated by the artist, verso cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board 35 7/16 x 35 7/16 inches (90 x 90 cm) round (WCT-61)

Wu Chi-Tsung

Cyano-Collage 148, 2022

signed and dated by the artist, verso

cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board

35 7/16 x 35 7/16 inches (90 x 90 cm) round

(WCT-61)

Wu Chi-Tsung Cyano-Collage 152, 2022 signed and dated by the artist, verso cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board 39 3/8 x 23 5/8 inches (100 x 60 cm) (WCT-65)

Wu Chi-Tsung

Cyano-Collage 152, 2022

signed and dated by the artist, verso

cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board

39 3/8 x 23 5/8 inches (100 x 60 cm)

(WCT-65)

Wu Chi-Tsung Cyano-Collage 153, 2022 signed and dated by the artist, verso cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board 23 5/8 x 39 3/8 inches (60 x 100 cm) (WCT-66)

Wu Chi-Tsung

Cyano-Collage 153, 2022

signed and dated by the artist, verso

cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board

23 5/8 x 39 3/8 inches (60 x 100 cm)

(WCT-66)

Wu Chi-Tsung Cyano-Collage 156, 2022 signed and dated by the artist, verso cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board 78 3/4 x 23 5/8 inches (200 x 60 cm) (WCT-69)

Wu Chi-Tsung

Cyano-Collage 156, 2022

signed and dated by the artist, verso

cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on aluminum board

78 3/4 x 23 5/8 inches (200 x 60 cm)

(WCT-69)

Wu Chi-Tsung Cyano-Collage 157, 2022 signed and dated by the artist, verso cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on wooden board 74 13/16 x 27 9/16 inches (190 x 70 cm) (WCT-70)

Wu Chi-Tsung

Cyano-Collage 157, 2022

signed and dated by the artist, verso

cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on wooden board

74 13/16 x 27 9/16 inches (190 x 70 cm)

(WCT-70)

Wu Chi-Tsung Still Life 013 - Bougainvillea, 2020 the work is accompanied by a signed certificate of authenticity single-channel video, 6 min 55 sec edition of 5 with 2 APs (#2/5) (WCT-20.2)

Wu Chi-Tsung

Still Life 013 - Bougainvillea, 2020

the work is accompanied by a signed certificate of authenticity

single-channel video, 6 min 55 sec

edition of 5 with 2 APs (#2/5)

(WCT-20.2)

Wu Chi-Tsung Wrinkled Texture 113, 2021 the work is accompanied by a signed certificate of authenticity cyanotype photography, Xuan paper image: 83 1/16 x 37 3/8 inches (211 x 95 cm) overall: 112 7/16 x 41 9/16 inches (285.6 x 105.6 cm) (WCT-48)

Wu Chi-Tsung

Wrinkled Texture 113, 2021

the work is accompanied by a signed certificate of authenticity

cyanotype photography, Xuan paper

image: 83 1/16 x 37 3/8 inches (211 x 95 cm)
overall: 112 7/16 x 41 9/16 inches (285.6 x 105.6 cm)

(WCT-48)

Wu Chi-Tsung Wrinkled Texture 114, 2021 the work is accompanied by a signed certificate of authenticity cyanotype photography, Xuan paper image: 83 7/16 x 36 5/8 inches (212 x 93 cm) overall: 113 3/16 x 41 3/8 inches (287.5 x 105.1 cm) (WCT-49)

Wu Chi-Tsung

Wrinkled Texture 114, 2021

the work is accompanied by a signed certificate of authenticity

cyanotype photography, Xuan paper

image: 83 7/16 x 36 5/8 inches (212 x 93 cm)
overall: 113 3/16 x 41 3/8 inches (287.5 x 105.1 cm)

(WCT-49)

Press Release

ADAA Art Show 2022

Booth A10

Wu Chi-Tsung Solo Presentation

Park Avenue Armory, New York, NY
November 3 – 6, 2022

Sean Kelly is delighted to announce a solo presentation of new Cyano-Collage works by Wu Chi-Tsung created specifically for The Art Show and a film from his Still Life series. Trained from an early age in the traditions of Chinese calligraphy, ink painting, watercolor, and drawing, Wu Chi-Tsung worked in these time-honored idioms for many years. While these practices still inform his process, his work interrogates how media and technology are manipulated to represent our relationship to the world.

Throughout his oeuvre, Wu Chi-Tsung connects the art of Eastern and Western cultures to integrate traditional aesthetics within a striking contemporary language. His Cyano-Collages replace the traditional ink and brush methods used in Chinese shan shui paintings – “mountain-water-pictures”—with experimental photography to reimagine the imagery of traditional landscape paintings. To create these stunning images, Chi-Tsung prepares layers of cyanotype photographic papers—Xuan paper treated with a photosensitive coating—that are crumpled, exposed to sunlight, developed and then mounted onto metal. The resultant works are collages that allude to landscapes found in Chinese shan shui paintings, but which are produced using a unique contemporary process.

Employing video, installation, and photography, Wu Chi-Tsung discovered in these new media compelling conceptual stratagems that spurred new and dynamic approaches to image making. His Still Life series, conceptually transforms motifs of traditional cut-branch flower painting into time-based moving images. Describing these works, Chi-Tsung stated that they are inspired, “by a cherished memory of painting; however, the mourning over this lost memory might not be limited to painting only. Some nameless emotions and memories unconsciously and slowly dissipate until, to our surprise, they are far away and cloaked by a white mist, their appearances obscured.”

For information about The ADAA Art Show please visit, theartshow.org

For inquiries, please contact Thomas Kelly at Thomas@seankellyla.com